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  1. Die produktive Rezeption von Thomas Mann im Roman "Ana em Veneza" von João Silvério Trevisan (1994)
    Autor*in: Pawlik, Angela ; Stahr, Henrick
    Erschienen: 30.12.2012

    The novel "Ana em Veneza" (1994) by João Silvério Trevisan is composed as a literary game of intertextual references to the works of Thomas Mann. Especially his tales "Enttäuschung" ("Desillusion") and "Tod in Venedig" ("Death in Venice") and his... mehr

     

    The novel "Ana em Veneza" (1994) by João Silvério Trevisan is composed as a literary game of intertextual references to the works of Thomas Mann. Especially his tales "Enttäuschung" ("Desillusion") and "Tod in Venedig" ("Death in Venice") and his novel "Doktor Faustus" serve as models. Trevisan uses figures, motives and themes of Thomas Mann on various levels of his own literary creation, thus using elements in the works of the German writer as pattern of a "European" attitude towards art, about which he argues through his characters, seeking a specific Brazilian identity as an artist. The article surveys this productive reception of motives from Thomas Mann's works, refering to the basic ideas of the novel. O romance "Ana em Veneza" (1994), de João Silverio Trevisan, é construído como um jogo literário de referências intertextuais à obra de Thomas Mann. Serviram de modelo, sobretudo, os contos "Enttäuschung" ("Desilusão") e "Tod in Venedig" ("Morte em Veneza") e o romance "Doktor Faustus" ("Doutor Fausto"). Trevisan utiliza personagens, motivos e temas de Thomas Mann em vários níveis de sua própria criaqão literária e os toma como padrão de uma noção "européia" de arte, cuja essência é discutida através das personagens, em busca de uma identidade artística especificamente brasileira. O artigo faz uma análise crítica desta recepção produtiva de motivos mannianos, referindo-se às idéias básicas do romance.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rezeption; Intertextualität; Mann, Thomas
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Die Frau im Spiegel deutscher Sprichwörter
    Autor*in: Glenk, Eva M. F.
    Erschienen: 30.12.2012

    This paper aims to demonstrate the proverb as a mental pattern that reflects and reinforces the values and norms of society through its use. We present the treatment given to women in German proverbs in opposition to the treatment given to men,... mehr

     

    This paper aims to demonstrate the proverb as a mental pattern that reflects and reinforces the values and norms of society through its use. We present the treatment given to women in German proverbs in opposition to the treatment given to men, showing the relationship between proverb and reality. O objetivo deste trabalho é mostrar os provérbios como padrões de pensamento que refletem e reforçam através de seu uso os valores e as normas de uma sociedade. Apresentaremos o tratarmento dispensado à mulher nos provérbios de língua alemã, contrapondo-os aos provérbios que tratam do homem, evidenciando a relação entre proverbio e realidade.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Sprichwort; Sprichwortforschung; Deutsch; Frau <Motiv>; Stereotyp
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. Sepp, Heinz und Konrad oder: Die Geburt des Lehrwerks aus dem Geist der Republik
    Autor*in: Müller, Christian
    Erschienen: 30.12.2012

    This paper draws a parallel between German society and politics, German football and coursebooks for German as a foreign language (DaF) in the second half of the twentieth century. Departing from observations on the analogies between German football... mehr

     

    This paper draws a parallel between German society and politics, German football and coursebooks for German as a foreign language (DaF) in the second half of the twentieth century. Departing from observations on the analogies between German football and politics made by Norbert Seitz, it discusses the cultural and pedagogical spirit of DaF-coursebooks from the fifties to the nineties. Este artigo traça um paralelo entre sociedade e política alemãs, futebol aiemão e livros didáticos de alemão como língua estrangeira (DaF), na segunda metade do século XX. A partir de observações sobre as analógias entre futebol e política na Alemanha, feitas por Norbert Seitz, discute-se o enfoque cultural e pedagógico dos livros didáticos de DaF dos anos 50 até os 90.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Deutsch; Fremdsprachenunterricht; Deutschland; Politik; Gesellschaft; Fußball
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. [Rezension zu:] Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3)
    Autor*in: Perez, Juliana P.
    Erschienen: 30.12.2012

    Rezension zu Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3) mehr

     

    Rezension zu Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3)

     
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      BibTeX-Format
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Liebeslied; Gesellschaftskritik
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Kontingenz-Erfahrung in der Romantik : Ausdrucksbegehren und Zensur bei Karoline von Günderrode
    Autor*in: Hoff, Dagmar von
    Erschienen: 31.12.2012

    This article provides an overview of the life and work of Karoline von Günderrode (1780-1806) in the German Romantic period. Karoline von Günderrode is one of the most radical modern writers of her time as she expresses the experience of contingency,... mehr

     

    This article provides an overview of the life and work of Karoline von Günderrode (1780-1806) in the German Romantic period. Karoline von Günderrode is one of the most radical modern writers of her time as she expresses the experience of contingency, the signature of a modern age. The article also examines aspects of gendered censorship in her work, especially in her dramas. To understand the phenomenon, it is necessary to view censorship both from the outside and from within. Eighteenth-century drama and theatre were taboo fields for women. Günderrode reacted with a three-fold self-censorship: in her form of expression, in her choice ti write under two pseudonyms (Tian and Ion), and in her decision to leave a number of dramas unfinished. Karoline von Günderrode commited suicide at the age of 26, and it is possible to read even her suicide as an act of censorship in the context of the experience of contingency in the Romantic Period.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Günderode, Karoline von; Zensur; Creuzer, Friedrich; Romantik; Kontingenz
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess