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  1. Bandung man / l'uomo di Bandung
    Autor*in: Pasolini, Pier Paolo
    Erschienen: 17.12.2019

    Bandung is the Indonesian city where on 18-24 April 1955 a meeting of twenty-nine Asian-African states took place with the view of opposing colonialism or neo-colonialism, dissociating from the Cold War, and promoting Afro-Asian economic and cultural... mehr

     

    Bandung is the Indonesian city where on 18-24 April 1955 a meeting of twenty-nine Asian-African states took place with the view of opposing colonialism or neo-colonialism, dissociating from the Cold War, and promoting Afro-Asian economic and cultural cooperation, as well as Neutralism and the Non-Aligned Movement. The two boys quoted in the poem - the Indian Revi and the Kenyan Davidson - appear as characters, respectively, in the travel notebook "L'odore dell'India" (1961) and in the screenplay "Il padre selvaggio" (on which Pasolini began to work in 1962). 'L'uomo di Bandung' was published first in the journal "Julia Gens" in 1964. This is the first time the poem appears in English and the translation is by Robert S.C. Gordon.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Mehrere Sprachen
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-681-9
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Pasolini, Pier Paolo; Lyrik
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Destruction, negation, subtraction
    Autor*in: Badiou, Alain
    Erschienen: 17.12.2019

    Pasolini was simultaneously a revolutionary Marxist and a man forever influenced by his religious childhood. So his question was: do the revolutionary becoming of history and political negativity represent a destruction of the tragic beauty of the... mehr

     

    Pasolini was simultaneously a revolutionary Marxist and a man forever influenced by his religious childhood. So his question was: do the revolutionary becoming of history and political negativity represent a destruction of the tragic beauty of the Greek myths and of the peaceful promise of Christianity? Or do we have to speak of a subtraction where an affirmative reconciliation of beauty and peace becomes possible in a new egalitarian world?

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-681-9
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Pasolini, Pier Paolo; Lyrik; Negation; Politik; Ontologie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. mythisnow - pasoliniandeuropetoday
    Autor*in: Strauss, Joulia
    Erschienen: 20.12.2019

    mythisnow and pasoliniandeuropetoday are not collages. They are multistabilities of 'nows' which share the common aspect of eternity. mythisnow is focused on manifestations of ancestral terror and shows its equivalences in the Ancient Greek myths, in... mehr

     

    mythisnow and pasoliniandeuropetoday are not collages. They are multistabilities of 'nows' which share the common aspect of eternity. mythisnow is focused on manifestations of ancestral terror and shows its equivalences in the Ancient Greek myths, in Pasolini's work, and in Greek riots.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-681-9
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Pasolini, Pier Paolo; Collage; Diptychon; Griechenland (Altertum); Mythologie; Gewalt; Protest
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
    Autor*in: Merte-Rankin, Angela
    Erschienen: 30.10.2019

    When Walter Benjamin wrote his main texts, the theme of the city as hell was extremely popular. Some of his German contemporaries, such as Brecht or Döblin, also used it. Benjamin was aware of these examples, as well as of examples outside Germany,... mehr

     

    When Walter Benjamin wrote his main texts, the theme of the city as hell was extremely popular. Some of his German contemporaries, such as Brecht or Döblin, also used it. Benjamin was aware of these examples, as well as of examples outside Germany, including Joyce's "Ulysses" and Baudelaire's "poetry". And he was - at least in some way - familiar with Dante's "Inferno" and used it, and in particular Dante's conception of hell, for his own purposes. Benjamin's appropriation of the topos of the Inferno has been seen as a critique of capitalism and as a general critique of modernism by means of allegory. In the following analysis, Angela Merte-Rankin takes a slightly different approach and, despite Benjamin's status as an expert on allegory, considers hell in its literal sense as a place and examines the issues of implacement that might follow from this standpoint.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Inferno; Rezeption; Benjamin, Walter; Hölle <Motiv>; Stadt <Motiv>; Topografie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. 'Il mal seme d'Adamo' : Dante's "Inferno" and the problem of the literary representation of evil in Thomas Mann's "Doktor Faustus" and Wolfgang Koeppen's "Der Tod in Rom"
    Autor*in: Trabert, Florian
    Erschienen: 04.11.2019

    Even if the title of Wolfgang Koeppen's last novel, "Der Tod in Rom", alludes quite obviously to Thomas Mann's novella, "Der Tod in Venedig", Koeppen's text must be understood first and foremost as a response to Mann's most controversial novel,... mehr

     

    Even if the title of Wolfgang Koeppen's last novel, "Der Tod in Rom", alludes quite obviously to Thomas Mann's novella, "Der Tod in Venedig", Koeppen's text must be understood first and foremost as a response to Mann's most controversial novel, "Doktor Faustus". The novels of Mann and Koeppen rank among the most well-known literary examinations of National Socialism but stand in a complementary relation to each other. "Doktor Faustus", published in 1947, analyses the cultural and intellectual origins of German fascism, while "Der Tod in Rom", published only seven years later in 1954, criticizes the continuity of National Socialist ideologies in post-war Germany. Both authors focus their analyses of fascism on fictional avant-garde composers who seem at first glance detached from any political context. [...] The actual starting point of Florian Trabert's paper, however, is the fact that both novels are preceded by epigraphs taken from Dante's "Inferno". Trabert begins by commenting on the references to Dante in "Doktor Faustus" and then continues by analysing the allusions to the "Commedia" in Koeppen's novel, which constitute, as Trabert demonstrates, a complex constellation among the three texts.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Inferno; Rezeption; Mann, Thomas; Doktor Faustus; Koeppen, Wolfgang; Der Tod in Rom; Das Böse
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess