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  1. Openness and intensity : Petrarch's becoming laurel in "Rerum vulgarium fragmenta" 23 and 228
    Autor*in: Gragnolati, Manuele ; Southerden, Francesca
    Erschienen: 27.06.2022

    Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into... mehr

     

    Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into dialogue with philosophical works that consider the nature of plant existence as a form of interconnectedness and porosity to the outside, we argue that the becoming tree these poems stage is a form of desire to be understood not as lack but as intensity.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
    Sammlung: ICI Berlin
    Schlagworte: Petrarca, Francesco; Canzoniere; Lorbeer; Pflanzen <Motiv>; Metamorphose; Liebe <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. 'Per-tras-versioni' dantesche : post-paradisiacal constellations in the poetry of Vittorio Sereni and Andrea Zanzotto
    Autor*in: Southerden, Francesca
    Erschienen: 04.11.2019

    This paper is a study of language disorders in two works by twentieth-century poets in dialogue with Dante's Paradiso: Vittorio Sereni's "Un posto di vacanza" (1971) and Andrea Zanzotto's 'Oltranza oltraggio' (1968). The constellations that Francesca... mehr

     

    This paper is a study of language disorders in two works by twentieth-century poets in dialogue with Dante's Paradiso: Vittorio Sereni's "Un posto di vacanza" (1971) and Andrea Zanzotto's 'Oltranza oltraggio' (1968). The constellations that Francesca Southerden focuses on are linguistic, and the specific 'disorder' she wants to consider is aphasia - the dissolution of language. Charting the way in which Sereni and Zanzotto construct the universes of their poems as 'per-tras-versioni' of their Dantean counterpart - something 'turned aside' or 'diverted', which 'cuts across' the ideal, Dantean scheme - she shows how, in different ways, the intertextual dialogue between modern and medieval author manifests itself as a 'resemanticization' of the language of "Paradiso" or, better, of that coming-into-language of desire and the poem which, textually speaking, Dante's third canticle takes as its alpha and omega.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Divina Commedia. Paradiso; Rezeption; Sereni, Vittorio; Zanzotto, Andrea; Aphasie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess