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  1. Text and Supertext in Ibsen's Drama
    Erschienen: [2021]; © 1989
    Verlag:  Penn State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     

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    ISBN: 9780271071619
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    Schlagworte: DRAMA / European / General; Criticism; Drama; Drama
    Umfang: 1 Online-Ressource (404 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  2. Text and Supertext in Ibsen’s Drama
    Erschienen: [1989]; ©1989
    Verlag:  Penn State University Press, University Park, PA ; Walter de Gruyter GmbH, Berlin

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.

     

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    ISBN: 9780271071619
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    Umfang: 1 Online-Ressource (404 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  3. Text and supertext in Ibsen's drama
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    Erschienen: ©1989
    Verlag:  Pennsylvania State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     

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    Quelle: Verbundkataloge
    Beteiligt: Johnston, Brian
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619; 0271071613; 9780271040646; 0271040645
    RVK Klassifikation: GW 8833
    Schlagworte: Criticism; Drama; Criticism; Drama; Criticism; Drama; LITERARY CRITICISM ; European ; German; Criticism ; Methodology; Drama ; Technique; Drama; Toneelstukken; Noors; Languages & Literatures; Germanic Literature; DRAMA / European / General; Criticism, interpretation, etc
    Weitere Schlagworte: Ibsen, Henrik 1828-1906; Ibsen, Henrik (1828-1906); Ibsen, Henrik (1828-1906); Ibsen, Henrik 1828-1906; Ibsen, Henrik; Ibsen, Henrik; Ibsen, Henrik
    Umfang: Online Ressource (viii, 299 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 291-293) and index. - Print version record

  4. Text and Supertext in Ibsen's Drama
    Erschienen: [2021]; © 1989
    Verlag:  Penn State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619
    Weitere Identifier:
    Schlagworte: DRAMA / European / General; Criticism; Drama; Drama
    Umfang: 1 Online-Ressource (404 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  5. Text and Supertext in Ibsen's Drama
    Erschienen: [2021]
    Verlag:  Penn State University Press, University Park, PA

    Frontmatter -- Contents -- Acknowledgments -- Preface -- 1 Introduction -- 2 Ibsen's Realist Aesthetic -- 3 Text and Subtext -- 4 Text and Supertext -- 5 Providence in Pillars of Society -- 6 A Doll House, or "The Fortunate Fall" -- 7 The Physician... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Preface -- 1 Introduction -- 2 Ibsen's Realist Aesthetic -- 3 Text and Subtext -- 4 Text and Supertext -- 5 Providence in Pillars of Society -- 6 A Doll House, or "The Fortunate Fall" -- 7 The Physician and the Gadfly: An Enemy of the People -- 8 The Turning Point in The Lady from the Sea -- 9 The Demons of John Gabriel Borkman -- Notes -- Selected Bibliography of Books Cited -- Index Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619
    Weitere Identifier:
    RVK Klassifikation: GW 8833
    Schlagworte: Criticism; Drama; Drama; DRAMA / European / General
    Umfang: 1 Online-Ressource (404 p)