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  1. Living death in medieval French and English literature
    Autor*in: Gilbert, Jane
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Medieval literature contains many figures caught at the interface between life and death - the dead return to place demands on the living, while the living foresee, organize or desire their own deaths. Jane Gilbert's original study examines the ways... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 805164
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 A 4969
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2011 A 2573
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    2011 A 7194
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bp 3163
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    52 A 6311
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    64.3864
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Medieval literature contains many figures caught at the interface between life and death - the dead return to place demands on the living, while the living foresee, organize or desire their own deaths. Jane Gilbert's original study examines the ways in which certain medieval literary texts, both English and French, use these 'living dead' to think about existential, ethical and political issues. In doing so, she shows powerful connections between works otherwise seen as quite disparate, including Chaucer's Book of the Duchess and Legend of Good Women, the Chanson de Roland and the poems of Francois Villon. Written for researchers and advanced students of medieval French and English literature, this book provides original, provocative interpretations of canonical medieval texts in the light of influential modern theories, especially Lacanian psychoanalysis, presented in an accessible and lively way"-- "This book is about the ways in which certain medieval literary texts use death, dying and the dead to think about problems relating to life - problems political, social, ethical, philosophical or existential. More specifically, it is about the dynamic interface between life and death and about figures caught at that interface, hence 'living death'. There are ghosts and revenants who, although dead, actively speak and will, disturbing the properly living. And there are those who while alive exist under a deathly shadow that forecloses their engagement with life and isolates them from their fellows. Vampires, ghosts and zombies are currently fashionable in popular culture; in literary criticism, tropes of the interstitial, the intermediary or the 'third' are in vogue. What I have attempted to do in this book is to use some of the latter - in particular, Lacan's notion of l'entre-deux-morts - to think through some medieval examples of phenomena related to the former: dead who return to place demands on the living; living who foresee, organize or desire their own deaths"--

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107003835; 1107003830
    Weitere Identifier:
    9781107003835
    Schriftenreihe: Cambridge studies in medieval literature ; 84
    Schlagworte: English literature; French literature; Death in literature; Dead in literature; Death; Death; Existentialism in literature; Ethics in literature; Dead in literature; Death in literature; Supernatural in literature; English literature; English literature; French literature
    Umfang: VIII, 283 S, 23 cm
    Bemerkung(en):

    Literaturverz. S. [253] - 278 und Index

    Machine generated contents note: Introduction: living death; 1. Roland and the second death; 2. The knight as thing: courtly love in the non-cyclic prose Lancelot; 3. The Ubi Sunt? Topos in Middle French: sad stories of the death of kings; 4. Ceci n'est pas une marguerite: anamorphosis in Pearl; 5. Becoming woman in Chaucer: on ne naît pas femme, on le devient en mourant; Conclusion: living dead or dead-in-life?.