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  1. A companion to the works of Thomas Bernhard
    Autor*in:
    Erschienen: 2010
    Verlag:  Woodbridge, Columbia, S.C. [u.a.] ; JSTOR, New York, NY

    Zugang:
    Hessisches BibliotheksInformationsSystem HeBIS
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Konzett, Matthias
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136060; 1571136061
    Schriftenreihe: Studies in German literature, linguistics and culture
    Umfang: 1 Online-Ressource (vi, 251 pages), Illustrations
    Bemerkung(en):

    Includes index

    Includes bibliographical references (pages 229-242) and index

  2. A companion to the works of Thomas Bernhard
    Autor*in:
    Erschienen: 2002
    Verlag:  Camden House, Rochester, NY

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000) Machine generated contents note: Bernhard in the Public -- Introduction -- National Iconoclasm: Thomas Bernhard and the Austrian Avant-garde -- Matthias Konzett 1 -- Perverted Attitudes of Mourning in the Wake of Thomas Bernhard's Death -- Marlene Streeruwitz 23 -- The Established Outsider: Thomas Bernhard -- Dagmar Lorenz 29 -- A Testament Betrayed: Bernhard and His Legacy -- Stephen D. Dowden 51 -- Bernhard's Poetics -- Homeland, Death, and Otherness in Thomas Bernhard's Early Lyrical Works -- Paola Bozzi 71 -- The Broken Window Handle: Thomas Bernhard's Notion of Weltbezug -- Riidiger Girner 89 -- Thomas Bernhard's Poetics of Comedy -- Wendelin Schmidt-Dengler 105 -- Bernhard and Drama -- Fragments of a Deluge: The Theater of Thomas Bernhard's Prose -- Mark M. Anderson 119 -- The Stranger Inside the Word: From Thomas Bernhard's Plays to the -- Anatomical Theater of Elfriede Jelinek -- Gitta Honegger 137 -- Costume Drama: Performance and Identity in Bernhard's Works -- Andrew Webber 149 -- Bernhard's Social Worlds -- Language Speaks. Anglo-Bernhard: Thomas Bernhard in Translation -- Gitta Honegger 169 -- Ungleichzeitigkeiten: Class Relationships in Bernhard's Fiction -- Jonathan Long 187 -- Thomas Bernhard's Der Untergeher: Newtonian Realities and Deterministic Chaos -- Willy Riemer 209 -- My Latest Encounter with Bernhard -- Marlene Streeruwitz 223

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Konzett, Matthias (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136060
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Bernhard, Thomas ; Criticism and interpretation
    Weitere Schlagworte: Bernhard, Thomas
    Umfang: 1 Online-Ressource (vi, 251 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 May 2017)

  3. A companion to the works of Thomas Bernhard
    Autor*in:
    Erschienen: 2002
    Verlag:  Camden House, Rochester, NY

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Universitätsbibliothek Rostock
    keine Fernleihe

     

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000) Machine generated contents note: Bernhard in the Public -- Introduction -- National Iconoclasm: Thomas Bernhard and the Austrian Avant-garde -- Matthias Konzett 1 -- Perverted Attitudes of Mourning in the Wake of Thomas Bernhard's Death -- Marlene Streeruwitz 23 -- The Established Outsider: Thomas Bernhard -- Dagmar Lorenz 29 -- A Testament Betrayed: Bernhard and His Legacy -- Stephen D. Dowden 51 -- Bernhard's Poetics -- Homeland, Death, and Otherness in Thomas Bernhard's Early Lyrical Works -- Paola Bozzi 71 -- The Broken Window Handle: Thomas Bernhard's Notion of Weltbezug -- Riidiger Girner 89 -- Thomas Bernhard's Poetics of Comedy -- Wendelin Schmidt-Dengler 105 -- Bernhard and Drama -- Fragments of a Deluge: The Theater of Thomas Bernhard's Prose -- Mark M. Anderson 119 -- The Stranger Inside the Word: From Thomas Bernhard's Plays to the -- Anatomical Theater of Elfriede Jelinek -- Gitta Honegger 137 -- Costume Drama: Performance and Identity in Bernhard's Works -- Andrew Webber 149 -- Bernhard's Social Worlds -- Language Speaks. Anglo-Bernhard: Thomas Bernhard in Translation -- Gitta Honegger 169 -- Ungleichzeitigkeiten: Class Relationships in Bernhard's Fiction -- Jonathan Long 187 -- Thomas Bernhard's Der Untergeher: Newtonian Realities and Deterministic Chaos -- Willy Riemer 209 -- My Latest Encounter with Bernhard -- Marlene Streeruwitz 223

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Konzett, Matthias (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136060
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Bernhard, Thomas ; Criticism and interpretation
    Weitere Schlagworte: Bernhard, Thomas
    Umfang: 1 Online-Ressource (vi, 251 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 May 2017)

  4. A companion to the works of Thomas Bernhard
    Autor*in:
    Erschienen: 2002
    Verlag:  Camden House, Rochester, NY

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers,... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000)

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Konzett, Matthias
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136060
    Weitere Identifier:
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Bernhard, Thomas;
    Weitere Schlagworte: Bernhard, Thomas / Criticism and interpretation; Bernhard, Thomas (1931-1989)
    Umfang: 1 online resource (vi, 251 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 May 2017)

    Machine generated contents note: Bernhard in the Public -- Introduction -- National Iconoclasm: Thomas Bernhard and the Austrian Avant-garde -- Matthias Konzett 1 -- Perverted Attitudes of Mourning in the Wake of Thomas Bernhard's Death -- Marlene Streeruwitz 23 -- The Established Outsider: Thomas Bernhard -- Dagmar Lorenz 29 -- A Testament Betrayed: Bernhard and His Legacy -- Stephen D. Dowden 51 -- Bernhard's Poetics -- Homeland, Death, and Otherness in Thomas Bernhard's Early Lyrical Works -- Paola Bozzi 71 -- The Broken Window Handle: Thomas Bernhard's Notion of Weltbezug -- Riidiger Girner 89 -- Thomas Bernhard's Poetics of Comedy -- Wendelin Schmidt-Dengler 105 -- Bernhard and Drama -- Fragments of a Deluge: The Theater of Thomas Bernhard's Prose -- Mark M. Anderson 119 -- The Stranger Inside the Word: From Thomas Bernhard's Plays to the -- Anatomical Theater of Elfriede Jelinek -- Gitta Honegger 137 -- Costume Drama: Performance and Identity in Bernhard's Works -- Andrew Webber 149 -- Bernhard's Social Worlds -- Language Speaks. Anglo-Bernhard: Thomas Bernhard in Translation -- Gitta Honegger 169 -- Ungleichzeitigkeiten: Class Relationships in Bernhard's Fiction -- Jonathan Long 187 -- Thomas Bernhard's Der Untergeher: Newtonian Realities and Deterministic Chaos -- Willy Riemer 209 -- My Latest Encounter with Bernhard -- Marlene Streeruwitz 223

  5. A companion to the works of Thomas Bernhard
    Autor*in:
    Erschienen: 2002
    Verlag:  Camden House, Rochester, NY ; Cambridge University Press, Cambridge, UK

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers,... mehr

    Zugang:
    Hessisches BibliotheksInformationsSystem HeBIS
    keine Fernleihe
    Hessisches BibliotheksInformationsSystem HeBIS
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    keine Fernleihe

     

    Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000).

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Konzett, Matthias (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136060
    RVK Klassifikation: GN 3224
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Weitere Schlagworte: Bernhard, Thomas (1931-1989)
    Umfang: 1 Online-Ressource (vi, 251 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 May 2017)