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  1. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Camden House, Rochester, NY ; JSTOR, New York, NY

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749; 1571136746
    RVK Klassifikation: GK 4211
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Philosophie; Dämonie
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 Online-Ressource (xii, 313 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 271-290) and index

  2. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Camden House, Rochester, NY

    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571136746; 9781571136749
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature; Genius in literature; Subjectivity in literature; German literature
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832)
    Umfang: Online-Ressource (xii, 313 p)
    Bemerkung(en):

    Includes bibliographical references (p. [271]-290) and index

    The ancients and their daemonsThe daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas.

  3. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Klassifikation: GK 4211 ; GK 4441
    Schlagworte: German literature; German literature; Genius in literature; Subjectivity in literature; Goethe, Johann Wolfgang von ; 1749-1832 ; Philosophy; German literature ; 18th century ; Classical influences; German literature ; 19th century ; Classical influences; Genius in literature; Subjectivity in literature
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  4. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London The ancients and their daemons -- The daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Klassifikation: GK 4211 ; GK 4441
    Schlagworte: German literature; German literature; Genius in literature; Subjectivity in literature; Goethe, Johann Wolfgang von ; 1749-1832 ; Philosophy; German literature ; 18th century ; Classical influences; German literature ; 19th century ; Classical influences; Genius in literature; Subjectivity in literature
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  5. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Camden House, Rochester, NY

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571136746; 9781571136749
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature; Genius in literature; Subjectivity in literature; German literature
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832)
    Umfang: Online-Ressource (xii, 313 p)
    Bemerkung(en):

    Includes bibliographical references (p. [271]-290) and index

    The ancients and their daemonsThe daemonic in the philosophy of the Sturm und Drang: Hamann and Herder -- Romanticism and unlimited subjectivity: "Mahomets Gesang" -- Werther: the pathology of an aesthetic idea -- Kantian science and the limits of subjectivity -- Schelling, Naturphilosophie, and "Mächtiges überraschen" -- After the ancients: Dichtung und Wahrheit and "Urworte. Orphisch" -- Eckermann, or the daemonic and the political -- Epilogue: Socrates and the cicadas.

  6. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749; 9781571133076
    Schlagworte: Philosophie; German literature / 18th century / Classical influences; German literature / 19th century / Classical influences; Genius in literature; Subjectivity in literature; Dämonie
    Weitere Schlagworte: Goethe, Johann Wolfgang von / 1749-1832 / Philosophy; Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 online resource (xii, 313 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  7. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749; 9781571133076
    Schlagworte: Philosophie; German literature / 18th century / Classical influences; German literature / 19th century / Classical influences; Genius in literature; Subjectivity in literature; Dämonie
    Weitere Schlagworte: Goethe, Johann Wolfgang von / 1749-1832 / Philosophy; Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 online resource (xii, 313 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  8. Goethe's concept of the daemonic
    after the ancients
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who... mehr

    Zugang:
    Hessisches BibliotheksInformationsSystem HeBIS
    keine Fernleihe
    Hessisches BibliotheksInformationsSystem HeBIS
    keine Fernleihe
    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe

     

    For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136749
    RVK Klassifikation: GK 4211
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Dämonie; Philosophie
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832)
    Umfang: 1 Online-Ressource (xii, 313 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)