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  1. Heiner Müller's Democratic Theater
    the Politics of Making the Audience Work.
    Autor*in: Wood, Michael
    Erschienen: 2017
    Verlag:  Boydell & Brewer, Melton ; JSTOR, New York, NY

    Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater. mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440470; 1787440478
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German Literature Linguistics and Culture ; ; v. Volume 180
    Schlagworte: Politisches Theater
    Weitere Schlagworte: Müller, Heiner (1929-1995)
    Umfang: 1 Online-Ressource (241 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 161-215) and index
  2. Heiner Müller's democratic theater
    the politics of making the audience work
    Autor*in: Wood, Michael
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity, Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a 'democratic' theater: one that confronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's study shows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440470
    RVK Klassifikation: GN 7881
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Müller, Heiner ; 1929-1995 ; Criticism and interpretation
    Weitere Schlagworte: Müller, Heiner (1929-1995)
    Umfang: 1 Online-Ressource (xiv, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Aug 2017)
  3. Heiner Müller's democratic theater
    the politics of making the audience work
    Autor*in: Wood, Michael
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York ; Cambridge University Press, Cambridge, UK

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the... mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity, Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a 'democratic' theater: one that confronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's study shows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440470
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Politisches Theater
    Weitere Schlagworte: Müller, Heiner (1929-1995)
    Umfang: 1 Online-Ressource (xiv, 225 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Aug 2017)
  4. Heiner Müller's democratic theater
    the politics of making the audience work
    Autor*in: Wood, Michael
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    Zugang:
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440470
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Theater; Theater; Beteiligung; Publikum; Demokratie <Motiv>
    Weitere Schlagworte: Müller, Heiner (1929-1995); Müller, Heiner (1929-1995); Müller, Heiner (1929-1995)
    Umfang: 1 Online-Ressource (xiv, 225 Seiten), Illustrationen
  5. Heiner Müller's democratic theater
    the politics of making the audience work
    Autor*in: Wood, Michael
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity, Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a 'democratic' theater: one that confronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's study shows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440470
    RVK Klassifikation: GN 7881
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Müller, Heiner ; 1929-1995 ; Criticism and interpretation
    Weitere Schlagworte: Müller, Heiner (1929-1995)
    Umfang: 1 Online-Ressource (xiv, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Aug 2017)