Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Es wurden 1 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 1 von 1.

Sortieren

  1. Perspective as practice
    Renaissance cultures of optics
    Autor*in:
    Erschienen: [2019]; © 2019
    Verlag:  Brepols, Turnhout

    This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To... mehr

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    509 P4674
    keine Fernleihe
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    509 P4674 2. Ex.
    keine Fernleihe
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2020/21249
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2020 C 120
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universität Stuttgart, Historisches Institut, Bibliothek
    Xa 15/12
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    295971 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    UB Weimar
    Id 3060/15
    keine Fernleihe

     

    This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of 'perspectiva' in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist?s dissection table, the goldsmith?s workshop, and the astronomer?s observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread ?optical literacy?, perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker?s workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Dupré, Sven (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782503581071; 2503581072
    Schriftenreihe: Techne ; 1
    Schlagworte: Perspektive; Optik; Kunst; Wissenschaft; Geschichte 1420-1600;
    Umfang: 510 Seiten, Illustrationen