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  1. Ibsen on the German Stage 1876–1918
    a quantitative study
    Erschienen: 2018
    Verlag:  Narr Francke Attempto, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... mehr

    Zugang:
    Verlag (Lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry. The study sheds new light on the greatest enigma of the early German reception of Ibsen: What caused A Dolls House, the play that eventually propelled Ibsen into global fame, to fail so blatantly on the German stage at the beginning of the 1880s, after the resounding success of Pillars of Society? Initially, Ibsen was treated as a commercial playwright. This changed in the late 1880s, when Ghosts was embraced by the avant-garde. At the same time, Ibsen was reintroduced as a commercially viable playwright, and it was only then that Ibsen began to have a lasting impact on the German stage.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783823392712
    Schriftenreihe: Forum Modernes Theater ; 53
    Array ; Band 53
    Schlagworte: avant-gard; Digital humanities; early German reception of Ibsen; German stage; Henrik Ibsen
    Umfang: 1 Online-Ressource (256 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 239-250

    Dissertation, University of Oslo, 2017

  2. Ibsen on the German Stage 1876–1918
    a quantitative study
    Erschienen: 2018
    Verlag:  Narr Francke Attempto, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... mehr

    Zugang:
    Verlag (Lizenzpflichtig)
    Zentrale Hochschulbibliothek Flensburg
    keine Fernleihe
    Bibliothek der Pädagogischen Hochschule Heidelberg
    eBook Scholars EBS
    keine Fernleihe
    Universitätsbibliothek Hildesheim
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry. The study sheds new light on the greatest enigma of the early German reception of Ibsen: What caused A Dolls House, the play that eventually propelled Ibsen into global fame, to fail so blatantly on the German stage at the beginning of the 1880s, after the resounding success of Pillars of Society? Initially, Ibsen was treated as a commercial playwright. This changed in the late 1880s, when Ghosts was embraced by the avant-garde. At the same time, Ibsen was reintroduced as a commercially viable playwright, and it was only then that Ibsen began to have a lasting impact on the German stage.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783823392712
    Schriftenreihe: Forum Modernes Theater ; 53
    Array ; Band 53
    Schlagworte: avant-gard; Digital humanities; early German reception of Ibsen; German stage; Henrik Ibsen
    Umfang: 1 Online-Ressource (256 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 239-250

    Dissertation, University of Oslo, 2017

  3. Ibsen on the German Stage 1876–1918
    A Quantitative Study
    Autor*in:
    Erschienen: 2018
    Verlag:  Narr Francke Attempto Verlag, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Württembergische Landesbibliothek
    keine Fernleihe

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hanssen, Jens-Morten (VerfasserIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823392712
    Weitere Identifier:
    9783823392712
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Forum Modernes Theater ; 53
    Schlagworte: Digital humanities; Henrik Ibsen; German stage; early German reception of Ibsen; avant-garde
    Umfang: 1 Online-Ressource (256 S.)
  4. Ibsen on the German Stage 1876–1918
    A Quantitative Study
    Autor*in:
    Erschienen: 2018
    Verlag:  Gunter Narr Verlag, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Ernst-Abbe-Hochschule Jena, Wissenschaftliche Bibliothek
    keine Fernleihe
    Hochschulbibliothek Karlsruhe (PH)
    eBook Narr
    keine Fernleihe

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hanssen, Jens-Morten (VerfasserIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823392712
    Weitere Identifier:
    9783823392712
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Forum Modernes Theater ; 53
    Schlagworte: Norwegen; Literaturwissenschaft: 1800 bis 1900; Literaturwissenschaft: Dramen und Dramatiker; Digital humanities; Henrik Ibsen; German stage; early German reception of Ibsen; avant-garde
    Umfang: 1 Online-Ressource (256 S.)