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  1. Correggio and Parmigianino
    art in Parma during the sixteenth century
    Autor*in: Correggio, Antonio Allegri da
    Erschienen: [2016]; © 2016
    Verlag:  Silvana Editoriale, Cinisello Balsamo (Milano)

    The exhibition aims to allow visitors to avail themselves of a selection of masterpieces from some of the world's leading museums to compare and contrast the artistic careers of two of the greatest luminaries of the Italian Renaissance -- Antonio... mehr

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KUN:WR:7000:::2016
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    67.4° 46
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The exhibition aims to allow visitors to avail themselves of a selection of masterpieces from some of the world's leading museums to compare and contrast the artistic careers of two of the greatest luminaries of the Italian Renaissance -- Antonio Allegri known as Correggio (1489-1534) and Francesco Mazzola known as Parmigianino (1503-40). The formidable talent of these two artists alone placed the city of Parma in the early 16th century on an equal footing with the peninsula's other great art capitals, Rome, Florence and Venice. Correggio only travelled to Parma when he was already at the height of his career, in the late 1510s, but he was to remain in the city for the rest of his life. Some twenty of his paintings, covering his entire career, have been selected to underscore the extraordinary emotive force and expressive range that the artist put not only into his religious works but also into his mythological paintings, which were to have such a huge impact on later artists, ranging from the Carracci brothers to Watteau and even to Picasso. The exhibition 'Correggio e Parmigianino. Arte a Parma nel Ciquecento' ('Correggio and Parmigianino. Art in Parma during the 16th century') hosts such unquestioned masterpieces as the Barrymore Madonna from the National Gallery of Art in Washington, the Portrait of a Lady from the State Hermitage Museum in St. Petersburg, the Martyrdom of Four Saints from the Galleria Nazionale in Parma, the Noli Me Tangere from the Museo del Prado in Madrid, the School of Love from the National Gallery in London and the Danaë from Rome's Galleria Borghese. Exhibition: Scuderie del Quirinale, Rome, Italy (12.03.-26.06.2016) Correggio and Parmigianino: the art of the sixteenth century in Parma -- Correggio's restless invention -- Parmigianino in Rome -- A city of "excllent artists and ingenious men": sixteenth century painters in Parma between literature and the geography of art -- Correggio -- Parmigianino -- Michelangelo Anselmi -- Giorgio Gandini del Grano -- Girolamo Mazzola Bedoli -- Francesco Maria Rondani

     
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    Verlag (Table of contents)
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Parmigianino (KünstlerIn); Ekserdjian, David (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788836633548
    RVK Klassifikation: LI 23700 ; LI 65350
    Schlagworte: Art, Italian; Art, Renaissance; Drawing, Italian
    Weitere Schlagworte: Correggio (1489?-1534); Parmigianino (1503-1540)
    Umfang: 255 Seiten, 28 cm
    Bemerkung(en):

    Seite 5: "Rome, Scuderie del Quirinale, 12 march - 26. June 2016, exhibition and catalogue"