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  1. The limits of identity
    early modern Venice, Dalmatia, and the representation of difference
    Erschienen: [2017]; ©2017
    Verlag:  Brill, Leiden

    This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified... mehr

    Universitätsbibliothek Heidelberg
    2017 A 5453
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Herzog August Bibliothek Wolfenbüttel
    70.4658
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice's long-time adversary, "the infidel Turk." The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between "Venetian" and "Turk" until their settlement on state-owned farmland. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern "Venetian-ness" was repeatedly affirmed

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9004331506; 9789004331501
    Schriftenreihe: Art and material culture in medieval and Renaissance Europe ; volume 7
    Schlagworte: Venedig; Dalmatien; Kulturelle Identität; Islambild; Fremdheit <Motiv>; Kunst; Geschichte 1460-1800;
    Umfang: XVII, 315 Seiten, 55 ungezählte Seiten Bildtafeln, Illustrationen, Karten