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  1. The relevance of Romanticism
    essays on German romantic philosophy
    Autor*in:
    Erschienen: 2014
    Verlag:  Oxford Univ. Press, New York, NY

  2. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571135346; 1571135340
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Mimesis
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Schlegel, Friedrich von (1772-1829): Lucinde; Novalis (1772-1801): Heinrich von Ofterdingen; Brentano, Clemens (1778-1842): Godwi oder das steinerne Bild der Mutter; (lcsh)Goethe, Johann Wolfgang von, 1749-1832.--Wilhelm Meisters Lehrjahre.; (lcsh)Mimesis in literature.; (lcsh)Romanticism--Germany.
    Umfang: X, 220 S., 24 cm
    Bemerkung(en):

    Literaturangaben
  3. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

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    Quelle: DNB Sachgruppe Deutsche Sprache und Literatur
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571135346; 1571135340
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Mimesis
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Schlegel, Friedrich von (1772-1829): Lucinde; Novalis (1772-1801): Heinrich von Ofterdingen; Brentano, Clemens (1778-1842): Godwi; (lcsh)Goethe, Johann Wolfgang von, 1749-1832.--Wilhelm Meisters Lehrjahre.; (lcsh)Mimesis in literature.; (lcsh)Romanticism--Germany.
    Umfang: X, 220 S., 24 cm
    Bemerkung(en):

    Literaturangaben
  4. The aesthetics of fear in German romanticism
    Autor*in: Mayer, Paola
    Erschienen: [2019]
    Verlag:  McGill-Queen's University Press, Montreal

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the... mehr

     

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."--(Provided by publisher.)

     
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    Quelle: DNB Sachgruppe Deutsche Sprache und Literatur
    Sprache: Englisch; Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780773558892; 0773558896; 9780773558885; 0773558888
    Schriftenreihe: McGill-Queen's studies in the history of ideas ; 77
    Schlagworte: Deutsch; Literatur; Romantik; Furcht <Motiv>; Angst <Motiv>
    Weitere Schlagworte: (fast)1800-1899; (lcsh)German literature--19th century--History and criticism.; (lcsh)Romanticism--Germany.; (lcsh)Aesthetics in literature.; (lcsh)Fear in literature.; (fast)Aesthetics in literature.; (fast)Fear in literature.; (fast)German literature.; (fast)Romanticism.; (fast)Germany.; (fast)Criticism, interpretation, etc
    Umfang: xiv, 482 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic format

    :
  5. L' età romantica
    letteratura tedesca tra rivoluzione e restaurazione
    Autor*in: Rossi, Francesco
    Erschienen: maggio 2023
    Verlag:  Carocci editore, Roma

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    Quelle: DNB Sachgruppe Deutsche Sprache und Literatur
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788829018864; 8829018864
    Auflage/Ausgabe: 1a edizione
    Schriftenreihe: Studi superiori ; 1372
    Schlagworte: Deutsch; Literatur; Romantik
    Weitere Schlagworte: (lcsh)German literature--18th century--History and criticism.; (lcsh)German literature--19th century--History and criticism.; (lcsh)Romanticism--Germany.
    Umfang: 479 Seiten, 22 cm
  6. Jena 1800
    the republic of free spirits
    Autor*in: Neumann, Peter
    Erschienen: 2022
    Verlag:  Farrar, Straus and Giroux, New York

    Zusammenfassung: "The history of the German idealist oasis where discussions of revolution, literature, beliefs, romance, and concepts gave birth to the modern world"--(Provided by publisher.) Zusammenfassung: "Around the turn of the nineteenth... mehr

     

    Zusammenfassung: "The history of the German idealist oasis where discussions of revolution, literature, beliefs, romance, and concepts gave birth to the modern world"--(Provided by publisher.) Zusammenfassung: "Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents. Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors--the translator August Wilhelm Schlegel; the philosophers Friedrich "Fritz" Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis--resolved to rethink the world, to establish a republic of free spirits. They didn't just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality." -- inside front jacket flap.

     
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  7. Memory in German romanticism
    imagination, image, reception
    Autor*in:
    Erschienen: 2023
    Verlag:  Routledge, New York

    Zusammenfassung: "Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of... mehr

     

    Zusammenfassung: "Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cerebral functions, seek to assemble the elements of one's own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination creates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, images, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts"--(Provided by publisher.)

     
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    Quelle: DNB Sachgruppe Deutsche Sprache und Literatur
    Beteiligt: Clason, Christopher R. (Herausgeber); Rockelmann, Joseph D. (Hrsg.); Weiler, Christina M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032319841; 1032319844; 9781032319865; 1032319860
    Schriftenreihe: Routledge studies in nineteenth century literature
    Schlagworte: Gedächtnis <Motiv>
    Weitere Schlagworte: Kleist, Heinrich von (1777-1811); Hoffmann, E. T. A. (1776-1822); Bernhardi, Sophie (1775-1833); Novalis (1772-1801); Tieck, Ludwig (1773-1853); Heine, Heinrich (1797-1856); (lcsh)Memory in literature.; (lcsh)German literature--19th century--History and criticism.; (lcsh)Romanticism--Germany.; (lcgft)Literary criticism.; (lcgft)Essays.
    Umfang: xi, 263 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  8. The relevance of Romanticism
    essays on German romantic philosophy
    Autor*in:
    Erschienen: 2014
    Verlag:  Oxford Univ. Press, New York, NY

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    Quelle: DNB Sachgruppe Deutsche Sprache und Literatur
    Beteiligt: Nassar, Dalia (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199976201; 0199976201; 9780199976218; 019997621X
    Schlagworte: Romantik; Philosophie
    Weitere Schlagworte: (lcsh)Philosophy, German--18th century.; (lcsh)Philosophy, German--19th century.; (lcsh)Romanticism--Germany.; (lcsh)Romanticism--Germany--Influence.
    Umfang: XV, 344 S., 24 cm
    Bemerkung(en):

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  9. The poetry of class
    romantic anti-capitalism and the invention of the proletariat
    Autor*in: Eiden-Offe, Patrick
    Erschienen: [2023]
    Verlag:  Brill, Leiden

    Zusammenfassung: "In the early 19th century, a new social collective emerged out of impoverished artisans, urban rabble, wandering rural lower classes, bankrupt aristocrats and precarious intellectuals, one that would soon be called the proletariat.... mehr

     

    Zusammenfassung: "In the early 19th century, a new social collective emerged out of impoverished artisans, urban rabble, wandering rural lower classes, bankrupt aristocrats and precarious intellectuals, one that would soon be called the proletariat. But this did not yet exist as a unified, homogeneous class with affiliated political parties. The motley appearance, the dreams and longings of these figures, torn from all economic certainties, found new forms of narration in romantic novellas, reportages, social-statistical studies, and monthly bulletins. But soon enough, these disorderly, violent, nostalgic, errant, and utopian figures were denigrated as reactionary and anarchic by the heads of the labour movement, since they did not fit into their grand linear vision of progress. This book tells their story, and in so doing, reveals a striking similarity to the disorderly classes of today"--(Provided by publisher.)

     
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