Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
Letzte Suchanfragen

Ergebnisse für *

Es wurden 3 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 3 von 3.

Sortieren

  1. The cult of the amateur
    how today's internet is killing our culture
    Autor*in: Keen, Andrew
    Erschienen: 2007
    Verlag:  Doubleday, New York [u.a.]

    Silicon Valley insider and pundit Andrew Keen claims that today's new participatory Web 2.0 threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. In today's self-broadcasting... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    TU Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Silicon Valley insider and pundit Andrew Keen claims that today's new participatory Web 2.0 threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. In today's self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes blurred. When bloggers and videographers, unconstrained by professional standards or editorial filters, can manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented. The anonymity that Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. Keen urges us to consider the consequences of supporting a culture that endorses plagiarism and piracy and weakens traditional media and creative institutions.--From publisher description.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  2. The cult of the amateur
    how today's internet is killing our culture
    Autor*in: Keen, Andrew
    Erschienen: 2007
    Verlag:  Doubleday, New York [u.a.]

    Silicon Valley insider and pundit Andrew Keen claims that today's new participatory Web 2.0 threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. In today's self-broadcasting... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Technische Universität München, Universitätsbibliothek, Teilbibliotheken Garching
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    Silicon Valley insider and pundit Andrew Keen claims that today's new participatory Web 2.0 threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. In today's self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes blurred. When bloggers and videographers, unconstrained by professional standards or editorial filters, can manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented. The anonymity that Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. Keen urges us to consider the consequences of supporting a culture that endorses plagiarism and piracy and weakens traditional media and creative institutions.--From publisher description.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Do or DIY
    Autor*in: Dworkin, Craig
    Erschienen: 2012
    Verlag:  Information as Material, York

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Morris, Simon (Verfasser); Thurston, Nick (Verfasser)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781907468124; 1907468129
    Schlagworte: Selbstverlag
    Weitere Schlagworte: Dworkin, Craig (1969-); Morris, Simon (1968-); Thurston, Nick (1982-); Dworkin, Craig Douglas; Morris, Simon / 1968-; Thurston, Nick / 1982-; Self-publishing; Artists' books / Great Britain; Édition à compte d'auteur; Livres d'artistes / Grande-Bretagne; Dworkin, Craig Douglas; Morris, Simon / 1968-; Thurston, Nick / 1982-; Artists' books; Self-publishing; Great Britain
    Umfang: 18 pages, 14 cm
    Bemerkung(en):

    "The essay in this book was first commissioned by the Whitechapel Gallery, London, as the foreword for the London Art Book Fair 2011 Catalogue."