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  1. From romanticism to critical theory
    the philosophy of German literary theory
    Autor*in: Bowie, Andrew
    Erschienen: 1997
    Verlag:  Routledge, London

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203026250; 020302625X; 0415127637; 9780415127639; 9781134797622; 1134797621; 0415127629; 9780415127622
    Schlagworte: Eleştiri / Almanya / Tarih; Alman edebiyatı / Tarih ve Eleştiri / Teori; Literature / Philosophy; Literature / History and criticism; Philosophy, German; Critique / Allemagne / Histoire; Littérature allemande / Histoire et critique / Théorie, etc; Criticisme / Histoire; Littérature / Philosophie; Literature / Philosophy; Literature / History and criticism; Philosophy, German; LITERARY CRITICISM / Semiotics & Theory; Literatura / Filosofía; Crítica literaria / Alemania / Historia; Literatuurtheorie; Filosofie; Critique / Allemagne / Histoire; Littérature allemande / Histoire et critique / Théorie, etc; Philosophie et littérature; Geschichte; Literatur; Philosophie; Criticism; German literature; Criticism (Philosophy); Literature; Philosophie; Literaturtheorie; Deutsch
    Umfang: 1 Online-Ressource (ix, 346 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 335-341) and index

    Introduction: renewing the theoretical canon -- 1. Philosophical origins: Kant, Jacobi, and the crisis of reason -- 2. Shifting the ground: 'where philosophy ceases literature must begin' -- 3. The philosophy of critique and the critique of philosophy: Romantic literary theory -- 4. Interpretative reasons -- 5. The ethics of interpretation: Schleiermacher -- 6. Being true: Dilthey, Husserl and Heidegger (1) -- 7. The truth of art: Heidegger (2) -- 8. Understanding Walter Benjamin -- 9. The culture of truth: Adorno

    Literary theory is now perceived by many people as being in crisis, because some of its dominant theoretical assumptions are proving hard to sustain. From Romanticism to Critical Theory offers a new view of literary theory, seeing it not as a product of the French assimilation of Saussurian linguistics and Russian Formalism into what we term 'deconstruction', but rather as an essential part of modern philosophy which begins with the German Romantic reactions to Kant, the effects of which can be traced through to Heidegger, Benjamin and Adorno

    From Romanticism to Critical Theory argues that key problems in contemporary literary theory are inseparable from the main questions of modern philosophy after Kant. In addition to offering detailed accounts, based on many untranslated texts, of major positions in German literary theory since the Romantics, this controversial new approach to literary theory makes fascinating and important links between hermeneutics, analytical philosophy and literary theory, and will be a vital point of reference for future work in these areas

  2. A history of histories of German literature
    1835-1914
    Erschienen: c1993
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773511407; 9780773511408; 9780773564442; 0773564446
    Schlagworte: Littérature allemande / Histoire et critique / Théorie, etc; Littérature allemande / Histoire et critique; Critique / Allemagne / Histoire; Literatuurgeschiedenis (wetenschap); Duits; Wetenschappelijke publicaties; Littérature allemande / Histoire et critique / Théorie, etc; Littérature allemande / Histoire et critique; Critique / Allemagne / Histoire; Critique / Histoire; Literatur; LITERARY CRITICISM / European / German; Deutsch; Geschichte; German literature; German literature; Criticism; Criticism; Literaturgeschichtsschreibung; Deutsch
    Umfang: 1 Online-Ressource (xii, 301 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 218-287) and index

    Batts analyses the kinds of predisposition, or bias, displayed by the authors of these works, and accounts for the persistence of certain biases over a long period of time. Histories of German literature published in other western European countries, Britain, and North America are also evaluated to determine to what extent, if any, a particular (i.e., non-German) attitude towards German literature is characteristic of a given country. The recognition of personal, religious, national, and other biases is important since the stereotypical image of the people of a given country is strongly influenced by the manner in which their literature is portrayed. Batts concludes that the history of German literature as it developed in the nineteenth century has doubly distorted history. The selection of works for inclusion in the histories on subjective grounds of "quality" conceals the fact that other, "inferior," works may in their time have had a far greater impact. As well, the authors of the histories fail to discuss those works from the past that are still being read