Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
Letzte Suchanfragen

Ergebnisse für *

Es wurden 2 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 2 von 2.

Sortieren

  1. Forging romantic China
    Sino-British cultural exchange, 1760 - 1840
    Autor*in: Kitson, Peter J.
    Erschienen: 2013
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and... mehr

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2014/4921
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2014 A 3474
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    Jc V 489 i
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2013 A 12385
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signatur:
    PR447.K55 2013
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    64.2796
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    "The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and translations of a diverse range of missionaries, diplomats, travellers, traders, and literary men and women during the Romantic period. The new perceptions of China that it gave rise to were mediated via a dynamic print culture to a diverse range of poets, novelists, essayists, dramatists and reviewers, including Jane Austen, Thomas Percy, William Jones, S. T. Coleridge, George Colman, Robert Southey, Charles Lamb, William and Dorothy Wordsworth and others, informing new British understandings and imaginings of China on the eve of the Opium War of 1839-42. Kitson aims to restore China to its true global presence in our understandings of the culture and literature of Britain in the late eighteenth and early nineteenth centuries"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107045613
    Weitere Identifier:
    9781107045613
    RVK Klassifikation: HL 1091 ; HL 1081 ; HL 1101
    Schriftenreihe: Cambridge studies in romanticism ; 105
    Schlagworte: English literature; English literature; Romanticism; English literature; LITERARY CRITICISM; Romanticism; European; English, Irish, Scottish, Welsh; Geschichte 1700-1800; Geschichte 1800-1900
    Umfang: VII, 312 S., Ill.
    Bemerkung(en):

    Literaturverz. S. 269 - 299

    Machine generated contents note: Introduction; 1. Thomas Percy and the forging of Romantic China; 2. 'A wonderful stateliness': William Jones, Joshua Marshman, and the Bengal School of Sinology; 3. 'They thought that Jesus and Confucius were alike': Robert Morrison, Malacca, and the missionary reading of China; 4. 'Fruits of the highest culture may be improved and varied by foreign grafts': the Canton School of Romantic Sinology: Staunton and Davis; 5. Establishing the 'Great Divide': scientific exchange and the Macartney Embassy; 6. 'You will be taking a trip into China, I suppose': kowtows, tea cups, and the evasions of British Romantic writing on China; 7. Chinese gardens, Confucius, and the prelude; 8. 'Not a bit like the Chinese figures that adorn our chimney-pieces': orphans and travellers: China on stage; Bibliography.
  2. The red room
    Autor*in:
    Erschienen: [2014]
    Verlag:  Stage Door, S.l.

    Johan August Strindberg was born on January 22nd 1849 in Stockholm in Sweden. It was only at the age of 32 that Strindberg managed to break through as a playwright with 'Master Olef'. Of course with a predecessor as famous as Henrik Ibsen... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook EBSCO AC
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Johan August Strindberg was born on January 22nd 1849 in Stockholm in Sweden. It was only at the age of 32 that Strindberg managed to break through as a playwright with 'Master Olef'. Of course with a predecessor as famous as Henrik Ibsen overshadowing everything it was difficult, perhaps, to make headway. However Stringberg took to the task, exploring a wide range of styles, experimenting at every opportunity and with The Red Room wrote what is lauded as the first modern Swedish novel. His career spanned some 60 plays and another 30 novels and associated texts. Whilst he was prolific writer he was also something of a polymath, a telegrapher, theosophist, painter, photographer and alchemist. Much of the 1890's was spent abroad but several psychotic attacks between 1894 to 1896 (referred to as his "Inferno crisis") led to his hospitalisation and return to Sweden. His works continued to expand and reshape the boundaries of theatre and many are considered classics and deservedly so. Strindberg became ill with pneumonia during Christmas 1911 and never recovered completely. On April 9th 1912 he at last premiered in New York at the Berkeley Theatre with 'The Father'. He died on 14 May 1912 at the age of 63. Strindberg was interred in the Norra begravningsplatsen in Stockholm

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Strindberg, August
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1783943262; 9781783943265
    Schlagworte: Authors; Drama; European; Playwriting
    Umfang: Online Ressource