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  1. The Rise of the Modern German Novel
    Crisis and Charisma
    Autor*in: Berman, Russell A.
    Erschienen: [1986]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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  2. The novel in German since 1990
    Autor*in:
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge:... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German

     
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    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511667558
    Weitere Identifier:
    RVK Klassifikation: GO 21200
    Schlagworte: German fiction / 20th century / History and criticism; German fiction / 21st century / History and criticism; German fiction / Europe, German-speaking / History and criticism; Novelle; Roman; Deutsch
    Umfang: 1 Online-Ressource (viii, 309 Seiten)
    Bemerkung(en):

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  3. From Kafka to Sebald
    modernism and narrative form
    Autor*in:
    Erschienen: 2012
    Verlag:  Continuum, New York

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Verbundkataloge
    Beteiligt: Wilke, Sabine (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441122674
    RVK Klassifikation: GE 5852 ; GN 1900
    Schriftenreihe: New directions in German studies ; 5
    Schlagworte: Narration (Rhetoric); German fiction / 19th century / History and criticism; German fiction / 20th century / History and criticism; Modernism (Literature); Deutsch; Prosa
    Umfang: XII, 184 S.
    Bemerkung(en):

    Literaturangaben
  4. Mapping morality in postwar German women's fiction
    Christa Wolf, Ingeborg Drewitz, and Grete Weil
    Autor*in: Mattson, Michelle
    Erschienen: 2010
    Verlag:  Camden House, Rochester, NY

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  5. The Rise of the Modern German Novel
    Crisis and Charisma
    Autor*in: Berman, Russell A.
    Erschienen: [1986]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Hochschule Augsburg, Bibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Coburg, Zentralbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Kempten, Hochschulbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek der LMU München
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Passau
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    Bibliotheksverbund Bayern (BVB)
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  6. Mapping morality in postwar German women's fiction
    Christa Wolf, Ingeborg Drewitz, and Grete Weil
    Autor*in: Mattson, Michelle
    Erschienen: 2010
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
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  7. From Kafka to Sebald
    modernism and narrative form
    Autor*in:
    Erschienen: 2012
    Verlag:  Continuum, New York

    Standort:
    Universitätsbibliothek Bayreuth
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)
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    Quelle: Verbundkataloge
    Beteiligt: Wilke, Sabine (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441122674
    RVK Klassifikation: GE 5852 ; GN 1900
    Schriftenreihe: New directions in German studies ; 5
    Schlagworte: Narration (Rhetoric); German fiction / 19th century / History and criticism; German fiction / 20th century / History and criticism; Modernism (Literature); Deutsch; Prosa
    Umfang: XII, 184 S.
    Bemerkung(en):

    Literaturangaben
  8. German novelists of the Weimar Republic
    intersections of literature and politics
    Autor*in:
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    The Weimar Republic was a turbulent and fateful time in German history. Characterized by economic and political instability, polarization, and radicalism, the period witnessed the efforts of many German writers to play a leading political role,... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
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    The Weimar Republic was a turbulent and fateful time in German history. Characterized by economic and political instability, polarization, and radicalism, the period witnessed the efforts of many German writers to play a leading political role, whether directly, in the chaotic years of 1918-1919, or indirectly, through their works. The novelists chosen range from such now-canonical authors as Alfred Döblin, Hermann Hesse, and Heinrich Mann to bestselling writers of the time such as Erich Maria Remarque, B. Traven, Vicki Baum, and Hans Fallada. They also span the political spectrum, from the right-wing Ernst Jünger to pacifists such as Remarque. The journalistic engagement of Joseph Roth, otherwise well known as a novelist, and of the recently rediscovered writer Gabriele Tergit is also represented. Contributors: Paul Bishop, Roland Dollinger, Helen Chambers, Karin V. Gunnemann, David Midgley, Brian Murdoch, Fiona Sutton, Heather Valencia, Jenny Williams, Roger Woods. Karl Leydecker is Reader in German at the University of Kent

     
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    Quelle: Verbundkataloge
    Beteiligt: Leydecker, Karl
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136718; 9781571132888; 9781571134691
    Schlagworte: Geschichte; German fiction / 20th century / History and criticism; Authors, German / 20th century / Political and social views; Politics and literature / Germany / History / 20th century; Weimarer Republik; Roman; Deutsch
    Umfang: 1 online resource (vi, 286 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

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  9. Heimat, space, narrative
    toward a transnational approach to flight and expulsion
    Autor*in: Eigler, Friederike Ursula
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in cold war and post-cold war Europe since the 1970s, writers have... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Passau
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    At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in cold war and post-cold war Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwarand contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-1982 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlier approaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University

     
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  10. Housebound
    selfhood and domestic space in contemporary German fiction
    Autor*in: Shafi, Monika
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
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    In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material reality embedded in architectural, aesthetic, and social traditions. The house, the place where we try to be at home, can be regarded - as theorists from Gaston Bachelard to Edward S. Casey have argued - as the key space for our constructions of selfhood and belonging. A host of contemporary German narratives featuring houses highlight this relationship between selfhood and domestic space. Beginning with a historical and theoretical overview of the house in German literature, 'Housebound' analyzes the shelters - often highly ambivalent spaces - that writers such as Katharina Hacker, Arno Geiger, Walter Kappacher, Monika Maron, Jenny Erpenbeck, Judith Hermann, Barbara Honigmann, and Emine Sevgi Özdamar build in their texts and what these reveal about contemporary selfhood in Germany and its relationship to the social world. The concluding comparative analysis of Katharina Hacker's 'Die Habenichtse' and the English novelist Ian McEwan's 'Saturday' reveals these developments in another national literature and makes a case for the global appeal of the domestic as a major site of identity politics. Monika Shafi is the Elias Ahuja Professor of German and Chair of the Department of Women and Gender Studies at the University of Delaware

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138323; 9781571135247
    Schlagworte: German fiction / 20th century / History and criticism; Home in literature; Self in literature; Domestic relations in literature; Privatheit <Motiv>; Zuhause <Motiv>; Haus <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (xiv, 223 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

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  11. Into the groove
    popular music and contemporary German fiction
    Autor*in: Hurley, Andrew Wright
    Erschienen: 2015
    Verlag:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Passau
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    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782044307; 9781571139184
    Schlagworte: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Umfang: 1 online resource (ix, 272 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

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  12. Mapping morality in postwar German women's fiction
    Christa Wolf, Ingeborg Drewitz, and Grete Weil
    Autor*in: Mattson, Michelle
    Erschienen: 2010
    Verlag:  Boydell & Brewer, Suffolk

    Christa Wolf (1929-), Ingeborg Drewitz (1923-1986), and Grete Weil (1906-1999) occupy very different positions in postwar German literature, yet all three challenge readers to consider how individuals understand their roles in history and how they... mehr

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Passau
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    Christa Wolf (1929-), Ingeborg Drewitz (1923-1986), and Grete Weil (1906-1999) occupy very different positions in postwar German literature, yet all three challenge readers to consider how individuals understand their roles in history and how they negotiate their personal responsibilities based on those roles. These three are, of course, by no means the only German writers to have dealt with such questions in the wake of the Third Reich. But Wolf, Drewitz, and Weil ground their projects in the family, an institution often left out of such inquiries, giving them a different starting point for moral reflection. Before looking closely at the three writers' views of the individual's role and responsibility, the book devotes a chapter to the examination of individual and collective memory, then a chapter to how feminist ethicists view moral responsibility. Chapters on the three writers' literary approaches to the questions follow: Wolf enacts a process of historical and geographic triangulation; Drewitz constructs concentric historical and social circles; Weil seeks to repair the historical ruptures of the Holocaust, creating new historical narratives and exploring the limitations of traditional bourgeois morality. Each of the three attempts to map a geography of morals that begins within the structures of the extended family but interrogates individual responsibility in an increasingly globalized environment. Michelle Mattson is Associate Professor of German at Rhodes College, Memphis, Tennessee

     
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  13. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science

     
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  14. The novel in German since 1990
    Autor*in:
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge:... mehr

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    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German

     
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    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511667558
    Weitere Identifier:
    RVK Klassifikation: GO 21200
    Schlagworte: German fiction / 20th century / History and criticism; German fiction / 21st century / History and criticism; German fiction / Europe, German-speaking / History and criticism; Novelle; Roman; Deutsch
    Umfang: 1 Online-Ressource (viii, 309 Seiten)
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  15. Wounds of memory
    the politics of war in Germany
    Autor*in: Zehfuss, Maja
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge... mehr

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    German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge arguments deployed in political and public debate. She explores memories that have generated considerable controversy, such as the flight and expulsion of Germans from the East, the bombing of German cities and the 'liberation' of Germany in 1945. She shows how memory retrospectively produces a past while claiming merely to invoke it, drawing attention to the complexities and contradictions within how truth, ethics, emotion, subjectivity and time are conceptualised. Zehfuss argues that the tensions and uncertainties revealed raise political questions that must be confronted, beyond the safety net of knowledge. This is a compelling book which pursues an original approach in exploring the politics of invocations of memory

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780511551109; 9780521873338; 9780521174466
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    Schlagworte: Weltkrieg (1939-1945); German fiction / 20th century / History and criticism; World War, 1939-1945 / Germany / Literature and the war; Memory in literature; Kollektives Gedächtnis; Weltkrieg <1939-1945>; Politisches Bewusstsein; Weltkrieg <1939-1945, Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (xv, 294 pages)
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  16. German novelists of the Weimar Republic
    intersections of literature and politics
    Autor*in:
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    The Weimar Republic was a turbulent and fateful time in German history. Characterized by economic and political instability, polarization, and radicalism, the period witnessed the efforts of many German writers to play a leading political role,... mehr

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    The Weimar Republic was a turbulent and fateful time in German history. Characterized by economic and political instability, polarization, and radicalism, the period witnessed the efforts of many German writers to play a leading political role, whether directly, in the chaotic years of 1918-1919, or indirectly, through their works. The novelists chosen range from such now-canonical authors as Alfred Döblin, Hermann Hesse, and Heinrich Mann to bestselling writers of the time such as Erich Maria Remarque, B. Traven, Vicki Baum, and Hans Fallada. They also span the political spectrum, from the right-wing Ernst Jünger to pacifists such as Remarque. The journalistic engagement of Joseph Roth, otherwise well known as a novelist, and of the recently rediscovered writer Gabriele Tergit is also represented. Contributors: Paul Bishop, Roland Dollinger, Helen Chambers, Karin V. Gunnemann, David Midgley, Brian Murdoch, Fiona Sutton, Heather Valencia, Jenny Williams, Roger Woods. Karl Leydecker is Reader in German at the University of Kent

     
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    Beteiligt: Leydecker, Karl
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136718; 9781571132888; 9781571134691
    Schlagworte: Geschichte; German fiction / 20th century / History and criticism; Authors, German / 20th century / Political and social views; Politics and literature / Germany / History / 20th century; Weimarer Republik; Roman; Deutsch
    Umfang: 1 online resource (vi, 286 pages)
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  17. Heimat, space, narrative
    toward a transnational approach to flight and expulsion
    Autor*in: Eigler, Friederike Ursula
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in cold war and post-cold war Europe since the 1970s, writers have... mehr

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    At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in cold war and post-cold war Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwarand contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-1982 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlier approaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University

     
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  18. Housebound
    selfhood and domestic space in contemporary German fiction
    Autor*in: Shafi, Monika
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material... mehr

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    In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material reality embedded in architectural, aesthetic, and social traditions. The house, the place where we try to be at home, can be regarded - as theorists from Gaston Bachelard to Edward S. Casey have argued - as the key space for our constructions of selfhood and belonging. A host of contemporary German narratives featuring houses highlight this relationship between selfhood and domestic space. Beginning with a historical and theoretical overview of the house in German literature, 'Housebound' analyzes the shelters - often highly ambivalent spaces - that writers such as Katharina Hacker, Arno Geiger, Walter Kappacher, Monika Maron, Jenny Erpenbeck, Judith Hermann, Barbara Honigmann, and Emine Sevgi Özdamar build in their texts and what these reveal about contemporary selfhood in Germany and its relationship to the social world. The concluding comparative analysis of Katharina Hacker's 'Die Habenichtse' and the English novelist Ian McEwan's 'Saturday' reveals these developments in another national literature and makes a case for the global appeal of the domestic as a major site of identity politics. Monika Shafi is the Elias Ahuja Professor of German and Chair of the Department of Women and Gender Studies at the University of Delaware

     
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    ISBN: 9781571138323; 9781571135247
    Schlagworte: German fiction / 20th century / History and criticism; Home in literature; Self in literature; Domestic relations in literature; Privatheit <Motiv>; Zuhause <Motiv>; Haus <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (xiv, 223 pages)
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  19. Into the groove
    popular music and contemporary German fiction
    Autor*in: Hurley, Andrew Wright
    Erschienen: 2015
    Verlag:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... mehr

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    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    Format: Online
    ISBN: 9781782044307; 9781571139184
    Schlagworte: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Umfang: 1 online resource (ix, 272 pages)
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  20. Mapping morality in postwar German women's fiction
    Christa Wolf, Ingeborg Drewitz, and Grete Weil
    Autor*in: Mattson, Michelle
    Erschienen: 2010
    Verlag:  Boydell & Brewer, Suffolk

    Christa Wolf (1929-), Ingeborg Drewitz (1923-1986), and Grete Weil (1906-1999) occupy very different positions in postwar German literature, yet all three challenge readers to consider how individuals understand their roles in history and how they... mehr

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    Christa Wolf (1929-), Ingeborg Drewitz (1923-1986), and Grete Weil (1906-1999) occupy very different positions in postwar German literature, yet all three challenge readers to consider how individuals understand their roles in history and how they negotiate their personal responsibilities based on those roles. These three are, of course, by no means the only German writers to have dealt with such questions in the wake of the Third Reich. But Wolf, Drewitz, and Weil ground their projects in the family, an institution often left out of such inquiries, giving them a different starting point for moral reflection. Before looking closely at the three writers' views of the individual's role and responsibility, the book devotes a chapter to the examination of individual and collective memory, then a chapter to how feminist ethicists view moral responsibility. Chapters on the three writers' literary approaches to the questions follow: Wolf enacts a process of historical and geographic triangulation; Drewitz constructs concentric historical and social circles; Weil seeks to repair the historical ruptures of the Holocaust, creating new historical narratives and exploring the limitations of traditional bourgeois morality. Each of the three attempts to map a geography of morals that begins within the structures of the extended family but interrogates individual responsibility in an increasingly globalized environment. Michelle Mattson is Associate Professor of German at Rhodes College, Memphis, Tennessee

     
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  21. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

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    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science

     
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  22. Business rhetoric in German novels
    from Buddenbrooks to the global corporation
    Autor*in: Schonfield, Ernest
    Erschienen: 2018
    Verlag:  Camden House, Rochester, New York

    Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense mehr

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    Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense

     
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    ISBN: 9781787443570
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    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German fiction / 20th century / History and criticism; German fiction / 21st century / History and criticism; Business in literature; Wirtschaft <Motiv>; Roman; Deutsch
    Umfang: 1 Online-Ressource (xii, 295 Seiten)
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    Title from publisher's bibliographic system (viewed on 31 Aug 2018)
  23. Into the groove
    popular music and contemporary German fiction
    Autor*in: Hurley, Andrew Wright
    Erschienen: 2015
    Verlag:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... mehr

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    Universitätsbibliothek Bamberg
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    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    ISBN: 9781782044307; 9781571139184
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    Schlagworte: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Umfang: 1 online resource (ix, 272 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

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  24. Le traduzioni di narrativa tedesca durante il fascismo
    Autor*in: Barrale, Natascia
    Erschienen: 2012
    Verlag:  Carocci, Roma

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    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788843065622
    RVK Klassifikation: GM 1411
    Auflage/Ausgabe: 1a ed
    Schriftenreihe: Lingue e letterature Carocci ; 140
    Serie a cura del Dipartimento di scienze filologiche e linguistiche dell'Università di Palermo ; 2
    Schlagworte: German fiction / 20th century / History and criticism; German fiction / Appreciation / Italy; German literature / Translations into Italian / History and criticism; Deutsch; Italienisch; Übersetzung; Prosa
    Umfang: 307 p., 22 cm
    Bemerkung(en):

    Includes bibliographical references (p. 289-301) and index
  25. Revolting families
    toxic intimacy, private politics, and literary realisms in the German sixties
    Autor*in: Smith-Prei, Carrie
    Erschienen: 2013
    Verlag:  Univ. of Toronto Press, Toronto

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781442646377
    Schlagworte: German fiction / 20th century / History and criticism; Families in literature; Realismus; Literatur; Privatsphäre <Motiv>; Intimsphäre <Motiv>; Deutsch; Familie <Motiv>
    Umfang: X, 204 S.
    Bemerkung(en):

    Includes bibliographical references and index