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  1. The novel in German since 1990
    Autor*in:
    Erschienen: 2011.
    Verlag:  Cambridge University Press, Cambridge

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511667558
    Weitere Identifier:
    Schlagworte: German fiction, 20th century; History and criticism.; German fiction, 21st century; History and criticism.; German fiction; Europe, German-speaking; History and criticism.; German fiction; German fiction; German fiction; German fiction ; 20th century ; History and criticism; German fiction ; 21st century ; History and criticism; German fiction ; Europe, German-speaking ; History and criticism
    Umfang: 1 Online-Ressource (viii, 309 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Stuart Taberner: Introduction: the novel in German since 1990

    Helmut Schmitz: Robert Schindel's Gebürtig (Born-Where)

    Rebecca Braun: Günter Grass's Ein weites Feld (Too Far Afield)

    Anna Saunders: Thomas Brussig's Helden wie wir (Heroes Like Us)

    Georgina Paul: Christa Wolf's Medea: Stimmen (Medea: A Modern Retelling)

    Moray McGowan: Zafer Şenocak's Gefährliche Verwandschaft (Perilous Kinship)

    Katharina Gerstenberger: Monika Maron's Endmoränen (End Moraines)

    Kathrin Schödel: Martin Walser's Ein springender Brunnen (A Gushing Fountain)

    Stephen Brockmann: Michael Kleeberg's Ein Garten im Norden (A Garden in the North)

    Julian Preece: Christian Kracht's Faserland (Frayed-Land)

    Helen Finch: Elfriede Jelinek's Gier (Greed)

    Alison Lewis: Karen Duve's Dies ist kein Liebeslied (This is Not a Love-Song)

    Lyn Marven: Herta Müller's Herztier (The Land of Green Plums)

    Mary Cosgove: W.G. Sebald's Austerlitz

    Karina Berger: Walter Kempowski's Alles umsonst (All for Nothing)

    Anne Fuchs: F.C. Delius's Mein Jahr als Mörder (My Year as a Murderer)

    Petra Fachinger: Yadé Kara's Selam Berlin

    Stuart Taberner: Daniel Kehlmann's Die Vermessung der Welt (Measuring the World)

    Monika Shafi.: Günter Grass's Beim Häuten der Zwiebel (Peeling the Onion)
  2. Into the groove
    popular music and contemporary German fiction
    Autor*in: Hurley, Andrew Wright
    Erschienen: 2015
    Verlag:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Klassifikation: GN 1411 ; GN 3700 ; GO 16013
    Schlagworte: German fiction; Music in literature; Music and literature; Paratext; German fiction; German fiction ; 21st century ; History and criticism; German fiction ; 20th century ; History and criticism; Music in literature; Music and literature ; Germany; Paratext ; Germany
    Umfang: 1 Online-Ressource (ix, 272 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer

     
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  4. The short story in German in the twenty-first century
    Autor*in:
    Erschienen: 2020
    Verlag:  Camden House, Rochester, New York

    Offers readings of key contemporary trends and themes in the vibrant genre of short-story writing in Germany, Austria, and Switzerland, with attention to major practitioners and translations of two representative stories. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Offers readings of key contemporary trends and themes in the vibrant genre of short-story writing in Germany, Austria, and Switzerland, with attention to major practitioners and translations of two representative stories.

     
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    Quelle: Verbundkataloge
    Beteiligt: Marven, Lyn (HerausgeberIn); Plowman, Andrew (HerausgeberIn); Roy, Kate (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787448759; 9781640140462
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Short stories, German ; History and criticism; German fiction ; 21st century ; History and criticism
    Umfang: 1 online resource (vi, 345 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Feb 2021)
  5. Into the groove
    popular music and contemporary German fiction
    Autor*in: Hurley, Andrew Wright
    Erschienen: 2015
    Verlag:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Klassifikation: GN 1411 ; GN 3700 ; GO 16013
    Schlagworte: German fiction; Music in literature; Music and literature; Paratext; German fiction; German fiction ; 21st century ; History and criticism; German fiction ; 20th century ; History and criticism; Music in literature; Music and literature ; Germany; Paratext ; Germany
    Umfang: 1 Online-Ressource (ix, 272 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer

     
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  7. The novel in German since 1990
    Autor*in:
    Erschienen: 2011.
    Verlag:  Cambridge University Press, Cambridge

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511667558
    Weitere Identifier:
    Schlagworte: German fiction, 20th century; History and criticism.; German fiction, 21st century; History and criticism.; German fiction; Europe, German-speaking; History and criticism.; German fiction; German fiction; German fiction; German fiction ; 20th century ; History and criticism; German fiction ; 21st century ; History and criticism; German fiction ; Europe, German-speaking ; History and criticism
    Umfang: 1 Online-Ressource (viii, 309 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Stuart Taberner: Introduction: the novel in German since 1990

    Helmut Schmitz: Robert Schindel's Gebürtig (Born-Where)

    Rebecca Braun: Günter Grass's Ein weites Feld (Too Far Afield)

    Anna Saunders: Thomas Brussig's Helden wie wir (Heroes Like Us)

    Georgina Paul: Christa Wolf's Medea: Stimmen (Medea: A Modern Retelling)

    Moray McGowan: Zafer Şenocak's Gefährliche Verwandschaft (Perilous Kinship)

    Katharina Gerstenberger: Monika Maron's Endmoränen (End Moraines)

    Kathrin Schödel: Martin Walser's Ein springender Brunnen (A Gushing Fountain)

    Stephen Brockmann: Michael Kleeberg's Ein Garten im Norden (A Garden in the North)

    Julian Preece: Christian Kracht's Faserland (Frayed-Land)

    Helen Finch: Elfriede Jelinek's Gier (Greed)

    Alison Lewis: Karen Duve's Dies ist kein Liebeslied (This is Not a Love-Song)

    Lyn Marven: Herta Müller's Herztier (The Land of Green Plums)

    Mary Cosgove: W.G. Sebald's Austerlitz

    Karina Berger: Walter Kempowski's Alles umsonst (All for Nothing)

    Anne Fuchs: F.C. Delius's Mein Jahr als Mörder (My Year as a Murderer)

    Petra Fachinger: Yadé Kara's Selam Berlin

    Stuart Taberner: Daniel Kehlmann's Die Vermessung der Welt (Measuring the World)

    Monika Shafi.: Günter Grass's Beim Häuten der Zwiebel (Peeling the Onion)
  8. Contemporary German fiction
    writing in the Berlin republic
    Autor*in:
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    The profound political and social changes Germany has undergone since 1989 have been reflected in an extraordinarily rich range of contemporary writing. Contemporary German Fiction focuses on the debates that have shaped the politics and culture of... mehr

    Zugang:

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The profound political and social changes Germany has undergone since 1989 have been reflected in an extraordinarily rich range of contemporary writing. Contemporary German Fiction focuses on the debates that have shaped the politics and culture of the new Germany that has emerged from the second half of the 1990s onwards and offers the first comprehensive account of key developments in German literary fiction within their social and historical context. Each chapter begins with an overview of a central theme, such as East German writing, West German writing, writing on the Nazi past, writing by women and writing by ethnic minorities. The authors discussed include Günter Grass, Ingo Schulze, Judith Hermann, Christa Wolf, Christian Kracht and Zafer Senocak. These informative and accessible readings build up a clear picture of the central themes and stylistic concerns of the best writers working in Germany today.

     
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    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485886; 9780521860789; 9780521174046
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in German
    Schlagworte: German fiction ; 20th century ; History and criticism; German fiction ; 21st century ; History and criticism; Literature and society ; Germany
    Umfang: 1 online resource (ix, 254 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  9. The wounded self
    writing illness in twenty-first-century German literature
    Autor*in: Schmidt, Nina
    Erschienen: 2018
    Verlag:  Camden House, Rochester, New York

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read such narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete (2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel School of Literary Studies at the Freie Universität Berlin Introduction -- Autofiction, disgust, and trauma: negotiating vulnerable subject positions in Charlotte Roche's Schossgebete -- Looking beyond the self-reflecting the other: staring as a narrative device in Kathrin Schmidt's Du stirbst nicht -- Intertextuality and the transnational in Verena Stefan's Fremdschlafer: writing breast cancer from beyond the border -- Confronting cancer publicly: diary writing in extremis by Christoph Schlingensief and Wolfgang Herrndorf -- Conclusion: "und was dann": recent developments and research desiderata

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787442870
    Weitere Identifier:
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Autobiographical fiction, German; German prose literature; German fiction; Diseases in literature; People with disabilities in literature; Diseases in literature; People with disabilities in literature; German fiction ; 21st century ; History and criticism; Autobiographical fiction, German ; History and criticism; German prose literature ; 21st century ; History and criticism
    Umfang: 1 Online-Ressource (x, 235 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Aug 2018)
  10. Business rhetoric in German novels
    from Buddenbrooks to the global corporation
    Autor*in: Schonfield, Ernest
    Erschienen: 2018
    Verlag:  Camden House, Rochester, New York

    Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787443570
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Business in literature; German fiction; German fiction; German fiction ; 20th century ; History and criticism; German fiction ; 21st century ; History and criticism; Business in literature
    Umfang: 1 Online-Ressource (xii, 295 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)
  11. The short story in German in the twenty-first century
    Autor*in:
    Erschienen: 2020
    Verlag:  Camden House, Rochester, New York

    Offers readings of key contemporary trends and themes in the vibrant genre of short-story writing in Germany, Austria, and Switzerland, with attention to major practitioners and translations of two representative stories. mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Universitätsbibliothek Rostock
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    Offers readings of key contemporary trends and themes in the vibrant genre of short-story writing in Germany, Austria, and Switzerland, with attention to major practitioners and translations of two representative stories.

     
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    Quelle: Verbundkataloge
    Beteiligt: Marven, Lyn (HerausgeberIn); Plowman, Andrew (HerausgeberIn); Roy, Kate (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787448759; 9781640140462
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Short stories, German ; History and criticism; German fiction ; 21st century ; History and criticism
    Umfang: 1 online resource (vi, 345 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Feb 2021)
  12. The novel in German since 1990
    Autor*in:
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Includes bibliographical references and index Explores the diversity of the post-1990 novel in German through readings of international bestsellers and less familiar texts mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    keine Fernleihe
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    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    EBS ProQuest
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    Includes bibliographical references and index Explores the diversity of the post-1990 novel in German through readings of international bestsellers and less familiar texts

     
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    Hinweise zum Inhalt
    Volltext (Connect to MyiLibrary resource)
    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511667558; 9780521192378; 1283296071; 9781283296076; 9781139123020
    RVK Klassifikation: GO 21200
    Schlagworte: German fiction; German fiction; German fiction; German fiction ; 20th century ; History and criticism; German fiction ; 21st century ; History and criticism; German fiction ; Europe, German-speaking ; History and criticism; Electronic books
    Umfang: VIII, 309 S.
    Bemerkung(en):

    "Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yade; Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German"-- Provided by publisher

    Cover; Title; Copyright; Contents; Acknowledgements; Introduction: The novel in German since 1990; The problem with the German novel; From the German novel to the novel in German; The novel in German and the present; The novel in German and the past; The transnational novel in German?; The novel in German since 1990; Notes; Chapter 1 Robert Schindel's Gebürtig (Born-Where); Post-Holocaust Jewish identity in the second generation; Variation I: speaking - (un)inhibitedness; Variation II: writing - coughing up; (Preliminary) finale - fragments; Notes

    Chapter 2 Günter Grass's Ein weites Feld (Too Far Afield)Lateness in ein weites feld; Reading late style and constructing celebrity; Günter Grass, late style and literary celebrity; Notes; Chapter 3 Thomas Brussig's Helden wie wir (Heroes Like Us); History as master-narrative; Questionable historical sources; The use of language; The role of literature in writing about history; Notes; Chapter 4 Christa Wolf's Medea. Stimmen (Medea. A Modern Retelling); A post-unification parable: gender and generation; Notes; Chapter 5 Zafer Senocak's Gefährliche Verwandtschaft (Perilous Kinship); Notes

    Chapter 6 Monika Maron's Endmoränen (End Moraines)Notes; Chapter 7 Martin Walser's Ein springender Brunnen (A Gushing Fountain); Authorial commentary - presenting the past; Narrative perspective; 'The miracle of Wasserburg' - realism or fantasy?; Anti-Semitism and the German-Jewish relationship; bildungsroman; The end of the novel: Johann and Wolfgang; Notes; Chapter 8 Michael Kleeberg's Ein Garten im Norden (A Garden in the North); Notes; Chapter 9 Christian Kracht's Faserland (Frayed-Land); Notes; chapter 10 Elfriede Jelinek's Gier (Greed); Gier as anti-novel

    The natural history of destructionNotes; chapter 11 Karen Duve's Dies ist kein Liebeslied (This Is Not a Love-Song); Notes; chapter 12 Herta Müller's Herztier (The Land of Green Plums); Tereza; Life and literature; The role of Romanian; Conclusion; Notes; chapter 13 W. G. Sebald's Austerlitz; 'Feeling' the Holocaust; Matters of the heart; Notes; chapter 14 Walter Kempowski's Alles umsonst (All for Nothing); Notes; chapter 15 F. C. Delius's Mein Jahr als Mörder (My Year as a Murderer); Resistance narratives in East and West Germany; F. C. Delius's Mein Jahr als Mörder; Notes

    chapter 16 Yadé Kara's Selam BerlinNotes; chapter 17 Daniel Kehlmann's Die Vermessung der Welt (Measuring the World); Die Vermessung der Welt; Notes; chapter 18 Günter Grass's Beim Häuten der Zwiebel (Peeling the Onion); Notes; Select bibliography; Index

    Electronic reproduction; Available via World Wide Web