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  1. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Klassifikation: AP 23211
    Schlagworte: Mass media; Women and literature; Women in literature; Violence in literature; Women in mass media; Violence in mass media; German literature; German literature ; 20th century ; History and criticism; Mass media ; Germany ; History ; 20th century; Women and literature ; Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media
    Umfang: 1 Online-Ressource (x, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  2. Women, the novel, and the German nation 1771-1871
    domestic fiction in the fatherland
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    In this 1998 book, Todd Kontje surveys novels by German women over the one-hundred-year period that stretches from the beginnings of a German national literature to the founding of its nation-state. Introducing readers to the lives and works of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this 1998 book, Todd Kontje surveys novels by German women over the one-hundred-year period that stretches from the beginnings of a German national literature to the founding of its nation-state. Introducing readers to the lives and works of fourteen women writers of the period, he shows the historical and thematic coherence of a body of fiction by women that has been obscured by traditional literary histories. He explores ways in which novels about traditionally feminine domestic concerns also comment on patriarchal politics in the German fatherland. Finally, he argues that we must view the history of the German novel in the context of both the history of sexuality and the rise of German nationalism, and that novels by German women, often marginalized or trivialized, played a central role in shaping attitudes toward class, gender and the nation 1. Introduction: women, the novel, and the German nation -- 2. The emergence of German domestic fiction. Introduction. Richardson: Clarissa's sacrifice. Rousseau: Julie's compromise. Sophie von LaRoche: Sophie's survival -- 3. German women respond to the French Revolution. Introduction. Caroline von Wolzogen: for a kinder, gentler patriarchy. Friederike Helene Unger: Julchen Grunthal's father fixation. Therese Huber: patriarchy vs. patriotism in Die Familie Seldorf. Sophie Mereau: experimental fictions -- 4. Liberation's aftermath: the early Restoration. Introduction. Caroline de la Motte Fouque: Romantic nationalism confronts modernity. Henriette Frolich [Jerta]: a cosmopolitan in Kentucky. Karoline von Woltmann: cosmopolitan conspirators at home. Johanna Schopenhauer: Gabriele's renunciation. Annette von Droste-Hulshoff: Ledwina's lethargy -- 5. Feminists in the Vormarz. Introduction. Ida Hahn-Hahn: the curse of the idle rich. Fanny Lewald: republican, feminist, Jew Louise Aston: "Amazons," aristocrats, and other revolutionaries -- 6. Eugenie Marlitt: the art of liberal compromise

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585623
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in German
    Schlagworte: Domestic fiction, German; German fiction; Feminism and literature; Women and literature; Women novelists, German; German fiction; German fiction; German fiction ; 18th century ; History and criticism; German fiction ; 19th century ; History and criticism; Domestic fiction, German ; History and criticism; German fiction ; Women authors ; History and criticism; Feminism and literature ; Germany; Women and literature ; Germany; Women novelists, German
    Umfang: 1 Online-Ressource (xv, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Klassifikation: AP 23211
    Schlagworte: Mass media; Women and literature; Women in literature; Violence in literature; Women in mass media; Violence in mass media; German literature; German literature ; 20th century ; History and criticism; Mass media ; Germany ; History ; 20th century; Women and literature ; Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media
    Umfang: 1 Online-Ressource (x, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  4. Women, the novel, and the German nation 1771-1871
    domestic fiction in the fatherland
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    In this 1998 book, Todd Kontje surveys novels by German women over the one-hundred-year period that stretches from the beginnings of a German national literature to the founding of its nation-state. Introducing readers to the lives and works of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe

     

    In this 1998 book, Todd Kontje surveys novels by German women over the one-hundred-year period that stretches from the beginnings of a German national literature to the founding of its nation-state. Introducing readers to the lives and works of fourteen women writers of the period, he shows the historical and thematic coherence of a body of fiction by women that has been obscured by traditional literary histories. He explores ways in which novels about traditionally feminine domestic concerns also comment on patriarchal politics in the German fatherland. Finally, he argues that we must view the history of the German novel in the context of both the history of sexuality and the rise of German nationalism, and that novels by German women, often marginalized or trivialized, played a central role in shaping attitudes toward class, gender and the nation 1. Introduction: women, the novel, and the German nation -- 2. The emergence of German domestic fiction. Introduction. Richardson: Clarissa's sacrifice. Rousseau: Julie's compromise. Sophie von LaRoche: Sophie's survival -- 3. German women respond to the French Revolution. Introduction. Caroline von Wolzogen: for a kinder, gentler patriarchy. Friederike Helene Unger: Julchen Grunthal's father fixation. Therese Huber: patriarchy vs. patriotism in Die Familie Seldorf. Sophie Mereau: experimental fictions -- 4. Liberation's aftermath: the early Restoration. Introduction. Caroline de la Motte Fouque: Romantic nationalism confronts modernity. Henriette Frolich [Jerta]: a cosmopolitan in Kentucky. Karoline von Woltmann: cosmopolitan conspirators at home. Johanna Schopenhauer: Gabriele's renunciation. Annette von Droste-Hulshoff: Ledwina's lethargy -- 5. Feminists in the Vormarz. Introduction. Ida Hahn-Hahn: the curse of the idle rich. Fanny Lewald: republican, feminist, Jew Louise Aston: "Amazons," aristocrats, and other revolutionaries -- 6. Eugenie Marlitt: the art of liberal compromise

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585623
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in German
    Schlagworte: Domestic fiction, German; German fiction; Feminism and literature; Women and literature; Women novelists, German; German fiction; German fiction; German fiction ; 18th century ; History and criticism; German fiction ; 19th century ; History and criticism; Domestic fiction, German ; History and criticism; German fiction ; Women authors ; History and criticism; Feminism and literature ; Germany; Women and literature ; Germany; Women novelists, German
    Umfang: 1 Online-Ressource (xv, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)