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  1. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... mehr

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     
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  2. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... mehr

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     
    Export in Literaturverwaltung   RIS-Format
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  3. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    91.153.71
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    297.059
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140219; 0810140217; 9780810140226; 0810140225
    RVK Klassifikation: GM 1600
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Literatur; Moderne; Klang <Motiv>; Geräusch <Motiv>
    Umfang: x, 219 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 191-214
  4. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    91.153.71
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB457072725
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog Germanistik
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140219; 0810140217; 9780810140226; 0810140225
    RVK Klassifikation: GM 1600
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Literatur; Moderne; Klang <Motiv>; Geräusch <Motiv>
    Umfang: x, 219 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 191-214