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  1. Text and Supertext in Ibsen's Drama
    Autor*in: Johnston, Brian
    Erschienen: [2021]; © 1989
    Verlag:  Penn State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619
    Weitere Identifier:
    Schlagworte: DRAMA / European / General; Criticism; Drama; Drama
    Umfang: 1 Online-Ressource (404 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  2. Text and Supertext in Ibsen’s Drama
    Autor*in: Johnston, Brian
    Erschienen: [1989]; ©1989
    Verlag:  Penn State University Press, University Park, PA ; Walter de Gruyter GmbH, Berlin

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619
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    Umfang: 1 Online-Ressource (404 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  3. Text and supertext in Ibsen's drama
    Autor*in:
    Erschienen: ©1989
    Verlag:  Pennsylvania State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    Südwestdeutscher Bibliotheksverbund (SWB)

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    Hochschule Esslingen, Bibliothek
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    Südwestdeutscher Bibliotheksverbund (SWB)

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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Johnston, Brian
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619; 0271071613; 9780271040646; 0271040645
    RVK Klassifikation: GW 8833
    Schlagworte: Criticism; Drama; Criticism; Drama; Criticism; Drama; LITERARY CRITICISM ; European ; German; Criticism ; Methodology; Drama ; Technique; Drama; Toneelstukken; Noors; Languages & Literatures; Germanic Literature; DRAMA / European / General; Criticism, interpretation, etc
    Weitere Schlagworte: Ibsen, Henrik 1828-1906; Ibsen, Henrik (1828-1906); Ibsen, Henrik (1828-1906); Ibsen, Henrik 1828-1906; Ibsen, Henrik; Ibsen, Henrik; Ibsen, Henrik
    Umfang: Online Ressource (viii, 299 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 291-293) and index. - Print version record
  4. Text and Supertext in Ibsen's Drama
    Autor*in: Johnston, Brian
    Erschienen: [2021]; © 1989
    Verlag:  Penn State University Press, University Park, PA

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Augsburg, Bibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Coburg, Zentralbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Kempten, Hochschulbibliothek
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    Bibliotheksverbund Bayern (BVB)

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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek der LMU München
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    Bibliotheksverbund Bayern (BVB)

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    Universitätsbibliothek Passau
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    Bibliotheksverbund Bayern (BVB)

     

    Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the ";realist"; method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and ";props,"; of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen ";strategy"; in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By ";supertext"; Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271071619
    Weitere Identifier:
    Schlagworte: DRAMA / European / General; Criticism; Drama; Drama
    Umfang: 1 Online-Ressource (404 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)