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  1. Gutenberg in Shanghai
    Chinese print capitalism, 1876-1937
    Erschienen: ©2004
    Verlag:  UBC Press, Vancouver

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780774810401; 0774810408; 0774810416; 9780774810418; 9780774851862; 0774851864
    Schriftenreihe: Contemporary Chinese studies
    Schlagworte: Imprimerie / Chine / Shanghai / Histoire; Édition / Chine / Shanghai / Histoire; CRAFTS & HOBBIES / Book Printing & Binding; DESIGN / Book; TECHNOLOGY & ENGINEERING / Technical & Manufacturing Industries & Trades; Printing; Publishers and publishing; Geschichte; Printing; Publishers and publishing
    Umfang: 1 Online-Ressource (xvii, 391 pages)
    Bemerkung(en):

    Chinese title on cover: Gutengbao zai Shanghai : ... - Chinese title romanized in Pin-yin: Gutengbao zai Shanghai : ..

    Includes bibliographical references and index

    In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China's "Gutenberg revolution." Gutenberg in Shanghai is a brilliant examination of this process. It finds the origins of that revolution in the country's printing industries of the late imperial period and analyzes their subsequent development in the Republican era. Under diverse social, political, and economic influences, this technological and cultural revolution saw woodblock printing replaced with Western mechanical processes. This book, which relies on documents previously unavailable to both Western and Chinese researchers, demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible. Its conclusion contests scholarly arguments that view China's technological development as slowed by culture, or that interpret Chinese modernity as mere cultural continuity. A vital reevaluation of Chinese modernity, Gutenberg in Shanghai will app