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  1. Ibsen in Practice
    Relational Readings of Performance, Cultural Encounters and Power
    Autor*in: Helland, Frode
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing, London

    The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional 'high art', theatre for development, queer and transgender theatre, Brechtian techniques, puppetry,... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional 'high art', theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll's House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland pro

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781408184974
    Schriftenreihe: Methuen Drama Engage
    Umfang: Online-Ressource (273 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Contents; Illustrations; Acknowledgements; About the Author; Introduction; 1 Against Capitalist Realism: Thomas Ostermeier; Hedda Gabler; In the display case; Violence to the end; An Enemy of the People; Excursus: Between cultures (Istanbul, May 2014); The relation to capitalism; 2 A Doll's House in Chile: Dictatorship and its Aft ermath; In silence: A Doll's House at the Catholic University (1980); Nora under the (continuing) neoliberal regime; Teatro Nacional: Alfredo Castro (2006); Teatro la Memoria (2011)

    In pursuit of Nora Helmer (2012)The Chilean way; 3 Ibsen under the Radar: Censorship and Artistic Expression; Prelude: Double dolls in Hanoi; Iran: A Doll's House and The Wild Duck; Dariush Mehrjui's Sara; The fragmented female; The politics of clothing; Decency and identification; Tarantella; The question of agency; Life-lies in the theatre: My Wild Duck; Ideals and critique; Visual signs: The Master Builder from Beijing; Concluding conjectures; 4 Three Chinese Dolls; Beijing Doll's House: Nora (1956); The performance; Culture and/or gender: A Doll's House in the 'New Era' (Beijing 1998)

    The changes of the 'New Era'The adaptation; Dancing dolls (Beijing 2010); Funding and re- funding; Sino-Norwegian dance; 5 Peer Gynt in Africa: Some Notes on the Dangers and Ambiguities of Interculturalism; The orient in the text 8; Peer Gynt in Africa - Zimbabwe; Peer Gynt on the Giza Plateau; Between cultures; Coda: From Dhaka to Mabou Mines; Notes; Bibliography; Index
  2. Ibsen in practice
    relational readings of performance, cultural encounters and power
    Autor*in: Helland, Frode
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.566.70
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB354013793
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog Germanistik
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472513694; 9781408184974
    RVK Klassifikation: GW 8833
    Schriftenreihe: Methuen Drama engage
    Umfang: XIII, 253 S., Ill., Kt.
    Bemerkung(en):

    Literaturverz. S. [239] - 248