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  1. Picturing death 1200-1600
    Autor*in:
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden

    "Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light... mehr

    Universitätsbibliothek Heidelberg
    2021 C 272
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Historisches Seminar der Universität, Bibliothek
    Ep 442
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Staatliche Kunsthalle, Bibliothek
    8.2: J, 050
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Herzog August Bibliothek Wolfenbüttel
    71.45
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture. Taken together, they present a picture of the ways that images have helped humans understand their own mortality, and have incorporated the deceased into the communities of the living." -- List of Illustrations -- Introduction -- Stephen Perkinson and Noa Turel -- part 1: Housing the Dead 1 Looking beyond the Face: Tomb Effigies and the Medieval Commemoration of the Dead / Robert Marcoux 2 Portraiture, Projection, Perfection: The Multiple Effigies of Enrico Scrovegni / Henrike Christiane Lange 3 Plorans ploravit in nocte: The Birth of the Figure of the Pleurant in Tomb Sculpture / Xavier Dectot 4 Gendering Prayer in Trecento Florence: Tomb Paintings in Santa Croce and San Remigio / Judith Steinhoff 5 Two-Story Charnel-House Chapels and the Space of Death in the Medieval City / Katherine M. Boivin -- part 2: Mortal Anxieties and Living Paradoxes 6 The Living Dead and the Joy of the Crucifixion / Brigit G. Ferguson 7 The Speaking Tomb: Ventriloquizing the Voices of the Dead / Jessica Barker 8 Feeding Worms: The Theological Paradox of the Decaying Body and Its Depictions in the Context of Prayer and Devotion / Johanna Scheel 9 Not Quite Dead: Imaging the Miracle of Infant Resuscitation / Fredrika H. Jacobs -- part 3: The Macabre, Instrumentalized 10 Dissecting for the King: Guido da Vigevano and the Anatomy of Death / Peter Bovenmyer 11 Covert Apotheoses: Archbishop Henry Chichele’s Tomb and the Vocational Logic of Early Transis /   Noa Turel 12 Into Print: Early Illustrated Books and the Reframing of the Danse Macabre / Maja Dujakovic 13 Death Commodified: Macabre Imagery on Luxury Objects, c. 1500 / Stephen Perkinson -- part 4: Departure and Persistence 14 Coemeterium Schola: The Emblematic Imagery of Death in Jan David’s Veridicus Christianus / Walter S. Melion 15 A Protestant Reconceptualization of Images of Death and the Afterlife in Stephen Bateman’s A Christall Glasse / Mary V. Silcox 16 Shifting Role Models within the Society of Jesus: The Abandonment of Grisly Martyrdom Images c. 1600 / Alison C. Fleming -- Bibliography -- Index

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Perkinson, Stephen (HerausgeberIn); Turel, Noa (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004430020
    Schriftenreihe: Brill's studies in intellectual history ; volume 321
    Brill's studies on art, art history, and intellectual history ; volume 50
    Schlagworte: Tod <Motiv>; Sterben <Motiv>; Leiche <Motiv>; Skelett <Motiv>; Kunst; Geschichte 1200-1600;
    Umfang: XX, 454 Seiten, Illustrationen