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  1. The naked truth
    Viennese modernism and the body
    Erschienen: [2020]
    Verlag:  The University of Chicago Press, Chicago ; London

    "In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as essentially "heady" overlooks a rich cultural history of the body in the period. Spanning 1870 to 1930, The Naked Truth is an interdisciplinary tour de force that recasts the visual, literary, and performative cultures of the era and offers an alternative genealogy of this fascinating moment in the history of the West. Starting with the Second Vienna Medical School and its innovations in anatomy and pathology, George traces an emerging culture of bodily knowledge by analyzing a variety of written and visual media, including theater and dance, and by drawing connections between scientific and artistic discourses. Paying equal attention to both low and high culture, bringing gender and class issues back to the fore, and highlighting the role of female thinkers and writers, George's book makes a signal contribution to our understanding of late nineteenth- and early twentieth-century Viennese and European culture. The Naked Truth shows us that the "inward turn" cannot be understood until it is set against the backdrop of a culture obsessed with exploring and displaying humanity in its embodied, carnal form"--

     

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  2. The prosthetic imagination
    a history of the novel as artificial life
    Autor*in: Boxall, Peter
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    "What is the relation between the mimetic and the prosthetic? How does the process of making pictures or likenesses of reality (in paint, in film, in prose) relate to our fashioning of artificial bodies, the manufacturing of the plastic forms with... mehr

    Universitätsbibliothek Freiburg
    GE 2021/232
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jo 51
    keine Fernleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2021/4739
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2020 A 10603
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Anglistisches Seminar der Universität, Bibliothek
    F EI 2012
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Kiel, Zentralbibliothek
    De 2459
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    2020 A 2802
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    71/3916
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    EC 5410 K78 B7
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is the relation between the mimetic and the prosthetic? How does the process of making pictures or likenesses of reality (in paint, in film, in prose) relate to our fashioning of artificial bodies, the manufacturing of the plastic forms with which we augment and enhance our naked extension into the world, what Freud calls the mere 'inch of nature' which we are given? This question was given a rather palpable form for me when, as part of my initial preparation for writing this book, I spent some time with a prosthetic surgeon who specialises in facial prosthetics. The surgeon - Charles - took me to a room in which there were a number of wooden cabinets, where he stored facial prostheses in drawers. He wanted to show me some of them, he said, in order to give me a sense of the range of different kinds of prostheses he made. He had these faces in his possession because, as his patients aged or grew, he regularly updated their prostheses"--

     

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    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108836487
    Schlagworte: Fiction; Realism in literature; Mimesis in literature; Human body in literature; Humanity in literature; Modernism (Literature)
    Umfang: xi, 411 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 383-400

  3. The naked truth
    Viennese modernism and the body
    Erschienen: [2020]
    Verlag:  The University of Chicago Press, Chicago ; London

    "In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as essentially "heady" overlooks a rich cultural history of the body in the period. Spanning 1870 to 1930, The Naked Truth is an interdisciplinary tour de force that recasts the visual, literary, and performative cultures of the era and offers an alternative genealogy of this fascinating moment in the history of the West. Starting with the Second Vienna Medical School and its innovations in anatomy and pathology, George traces an emerging culture of bodily knowledge by analyzing a variety of written and visual media, including theater and dance, and by drawing connections between scientific and artistic discourses. Paying equal attention to both low and high culture, bringing gender and class issues back to the fore, and highlighting the role of female thinkers and writers, George's book makes a signal contribution to our understanding of late nineteenth- and early twentieth-century Viennese and European culture. The Naked Truth shows us that the "inward turn" cannot be understood until it is set against the backdrop of a culture obsessed with exploring and displaying humanity in its embodied, carnal form"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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