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  1. Søren Kierkegaard
    subjectivity, irony, and the crisis of modernity
    Autor*in: Stewart, Jon
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

    "'Søren Kierkegaard: subjectivity, irony, and the crisis of Modernity' examines the thought of Søren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 956679
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    CH 8512 S849
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bw 4273
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    CH 8512 S849
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Søren Kierkegaard: subjectivity, irony, and the crisis of Modernity' examines the thought of Søren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is 'The Concept of Irony,' which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as 'Either/Or' and 'Fear and Trembling'." -- Soren Kierkegaard: subjectivity, irony, and the crisis of Modernity' examines the thought of Soren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is 'The Concept of Irony; , which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as 'Either/Or' and 'Fear and Trembling'

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198747703; 0198747705
    Auflage/Ausgabe: First edition
    Schlagworte: Kierkegaard, Søren; Ironie; Subjektivität;
    Weitere Schlagworte: Kierkegaard, Søren (1813-1855); Kierkegaard, Søren (1813-1855): Om begrebet ironi
    Umfang: XV, 210 pages, Illustrationen, Diagramme, 23 cm
    Bemerkung(en):

    Literaturverz. Seiten [195] - 203

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