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  1. Weather as medium
    toward a meteorological art
    Autor*in: Randerson, Janine
    Erschienen: 2018
    Verlag:  The MIT Press, Cambridge, MA

    In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential... mehr

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    In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the "big picture systems view" and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262353441; 026235344X
    Schriftenreihe: Leonardo book series
    Schlagworte: Art and meteorology; Weather in art; Art and science; Art, Modern ; 21st century ; Themes, motives; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/General; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xl, 233 pages, 16 unnumbered pages of plates), illustrations (some colour)
  2. Here/there
    telepresence, touch, and art at the interface
    Autor*in: Paulsen, Kris
    Erschienen: [2017]; ©2017
    Verlag:  The MIT Press, Cambridge, Massachusetts ;

    An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current ""drone vision"" works. mehr

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    An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current ""drone vision"" works.

     
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  3. The systemic image
    a new theory of interactive real-time simulations
    Autor*in: Hinterwaldner, Inge
    Erschienen: [2017]
    Verlag:  The MIT Press, London ;

    In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In this work, a conceptualization of the relationship between the systemic and the iconic in... mehr

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    In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In this work, a conceptualization of the relationship between the systemic and the iconic in interactive real-time simulations is proposed.

     
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  4. New tendencies
    art at the threshold of the information revolution (1961-1978)
    Autor*in: Medosch, Armin
    Erschienen: [2016]; ©2016
    Verlag:  The MIT Press, Cambridge, Massachusetts

    An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. mehr

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    An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.

     
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  5. Writing and unwriting (media) art history
    Erkki Kurenniemi in 2048
    Autor*in:
    Erschienen: [2015]; ©2015
    Verlag:  The MIT Press, Cambridge, Massachusetts

    A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi -- composer of electronic music, experimental filmmaker, inventor, collector, futurologist. mehr

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    A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi -- composer of electronic music, experimental filmmaker, inventor, collector, futurologist.

     
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    Quelle: Verbundkataloge
    Beteiligt: Krysa, Joasia (HerausgeberIn); Parikka, Jussi (HerausgeberIn); Kurenniemi, Erkki (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262331111; 026233111X
    Schriftenreihe: Leonardo
    Schlagworte: Kurenniemi, Erkki ; 1941-2017 ; Themes, motives; New media art ; Finland; DIGITAL HUMANITIES & NEW MEDIA/General; COMPUTER SCIENCE/Computer Music; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xxviii, 340 pages), illustrations.
  6. Peripheral vision
    Bell Labs, the S-C 4020, and the origins of computer art
    Autor*in: Patterson, Zabet
    Erschienen: [2015]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    "In 1959, the electronics manufacturer Stromberg-Carlson produced the S-C 4020, a device that allowed mainframe computers to present and preserve images. In the mainframe era, the output of text and image was quite literally peripheral; the S-C 4020... mehr

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    "In 1959, the electronics manufacturer Stromberg-Carlson produced the S-C 4020, a device that allowed mainframe computers to present and preserve images. In the mainframe era, the output of text and image was quite literally peripheral; the S-C 4020 -- a strange and elaborate apparatus, with a cathode ray screen, a tape deck, a buffer unit, a film camera, and a photo-paper camera -- produced most of the computer graphics of the late 1950s and early 1960s. At Bell Laboratories in Murray Hill, New Jersey, the S-C 4020 became a crucial part of ongoing encounters among art, science, and technology. In this book, Zabet Patterson examines the extraordinary uses to which the Bell Labs SC-2040 was put between 1961 and 1972, exploring a series of early computer art projects shaped by the special computational affordances of the S-C 4020. The S-C 4020 produced tabular data, graph plotting and design drawings, grid projections, and drawings of axes and vectors; it made previously impossible visualizations possible. Among the works Patterson describes are E.E. Zajac's short film of an orbiting satellite, which drew on the machine's graphic capacities as well as the mainframe's calculations; a groundbreaking exhibit of "computer generated pictures" by B??la Julesz and Michael Noll, two scientists interested in visualization; animations by Kenneth Knowlton and the Bell Labs artist-in-residence Stan VanDerBeek; and Lillian Schwartz's "cybernetic" film Pixillation. Arguing for the centrality of a peripheral, Patterson makes a case for considering computational systems not simply as machines but in their cultural and historical context."

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262330060; 0262330067
    Schriftenreihe: Platform studies
    Schlagworte: AT & T Bell Laboratories; Computer art; Computer peripherals; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; COMPUTER SCIENCE/History of Computing; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xviii, 133 pages), illustrations.
  7. The experience machine
    Stan VanderBeek's Movie-Drome and expanded cinema
    Autor*in: Sutton, Gloria
    Erschienen: [2015]
    Verlag:  The MIT Press, Cambridge, Massachusetts ;

    In 1965, the experimental filmmaker Stan VanDerBeek (1927-1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system--a global network of Movie-Dromes... mehr

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    In 1965, the experimental filmmaker Stan VanDerBeek (1927-1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system--a global network of Movie-Dromes linked to orbiting satellites that would store and transmit images. With networked two-way communication, Movie-Dromes were meant to ameliorate technology's alienating impulse. In The Experience Machine, Gloria Sutton views VanDerBeek--known mostly for his experimental animated films--as a visual artist committed to the radical aesthetic sensibilities he developed during his studies at Black Mountain College. She argues that VanDerBeek's collaborative multimedia projects of the 1960s and 1970s (sometimes characterized as "Expanded Cinema"), with their emphases on transparency of process and audience engagement, anticipate contemporary art's new media, installation, and participatory practices. VanDerBeek saw Movie-Drome not as pure cinema but as a communication tool, an "experience machine." In her close reading of the work, Sutton argues that Movie-Drome can be understood as a programmable interface. She describes the immersive experience of Movie-Drome, which emphasized multi-sensory experience over the visual; display strategies deployed in the work; the Poemfield computer-generated short films; and VanDerBeek's interest, unique for the time, in telecommunications and computer processing as a future model for art production. Sutton argues that visual art as a direct form of communication is a feedback mechanism, which turns on a set of relations, not a technology.--Publisher website.

     
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  8. Re-collection
    art, new media, and social memory
    Autor*in: Rinehart, Richard
    Erschienen: [2014]; ©2014
    Verlag:  The MIT Press, Cambridge, Massachusetts

    The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory. mehr

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    The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory.

     
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    Quelle: Verbundkataloge
    Beteiligt: Ippolito, Jon (VerfasserIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262324083; 0262324083; 9781306876223; 1306876222; 9780262324090; 0262324091
    Schriftenreihe: Leonardo
    Schlagworte: New media art ; Conservation and restoration; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; SOCIAL SCIENCES/Media Studies; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xii, 297 pages), illustrations.
  9. Aesthetics of interaction in digital art
    Autor*in: Kwastek, Katja
    Erschienen: [2013]; ©2013
    Verlag:  The MIT Press, Cambridge, Massachusetts

    "Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek... mehr

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    "Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork with discussions of processual strategies of twentieth-century art and theories of aesthetic experience, process aesthetics, play, and performance. She then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance - with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory."--Pub. desc.

     
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  10. Semblance and event
    activist philosophy and the occurrent arts
    Autor*in: Massumi, Brian
    Erschienen: 2011
    Verlag:  MIT Press, Cambridge, Mass.

    An investigation of the "occurrent arts" through the concepts of the "semblance" and "lived abstraction." mehr

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    An investigation of the "occurrent arts" through the concepts of the "semblance" and "lived abstraction."

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262298193; 0262298198; 9780262297257; 0262297256; 1283302713; 9781283302715; 9786613302717; 6613302716
    Schriftenreihe: Technologies of lived abstraction
    Schlagworte: Experience; Events (Philosophy); Time in art; SOCIAL SCIENCES/Media Studies; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xii, 220 pages), illustrations.
  11. Entangled
    technology and the transformation of performance
    Autor*in: Salter, Chris
    Erschienen: 2010
    Verlag:  MIT Press, Cambridge, Massachusetts

    "Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research,... mehr

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    "Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter's exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis."--Jacket.

     
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    Quelle: Verbundkataloge
    Beteiligt: Sellars, Peter (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262315104; 0262315106
    Schlagworte: Technology and the arts; Arts ; Technological innovations; Arts, Modern ; 20th century; Arts, Modern ; 21st century; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/Contemporary Art; ARTS/Performance Studies/General
    Umfang: 1 Online-Ressource (xxxix, 460 Seiten), Illustrationen
  12. Tactical biopolitics
    art, activism, and technoscience
    Autor*in:
    Erschienen: 2008
    Verlag:  MIT Press, Cambridge, Mass.

    'Tactical Biopolitics' suggests that the political challenges at the intersection of life, science and art are best addressed through a combination of artistic intervention, critical theorising and reflective practices. The multidisciplinary... mehr

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    'Tactical Biopolitics' suggests that the political challenges at the intersection of life, science and art are best addressed through a combination of artistic intervention, critical theorising and reflective practices. The multidisciplinary contributions focus on the political significance of recent advances in biological science.

     
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    Quelle: Verbundkataloge
    Beteiligt: Da Costa, Beatriz (MitwirkendeR); Philip, Kavita (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262271127; 0262271125; 9781435655003; 1435655001
    Schriftenreihe: Leonardo
    Schlagworte: Biology ; Social aspects; Technological innovations ; Social aspects; Biotechnology ; Social aspects; Biopolitics; Art and science; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; SOCIAL SCIENCES/Media Studies; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xxii, 511 pages), illustrations.
  13. At a distance
    precursors to art and activism on the Internet
    Autor*in:
    Erschienen: 2005
    Verlag:  MIT Press, Cambridge, Mass.

    Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that... mehr

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    Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work -- including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis.

     
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    Quelle: Verbundkataloge
    Beteiligt: Chandler, Annmarie (MitwirkendeR); Neumark, Norie (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262270144; 0262270145; 1423796543; 9781423796541; 0262033283; 9780262033282; 9781282098107; 1282098101
    Schriftenreihe: Leonardo
    Schlagworte: Art and telecommunication; Art, Modern ; 20th century; Art and society; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xiv, 486 pages), illustrations.
  14. Art and innovation
    the Xerox PARC artist-in-residence program
    Autor*in:
    Erschienen: 1999
    Verlag:  MIT Press, Cambridge, Mass.

    "The idea behind Xerox's interdisciplinary Palo Alto Research Center (PARC) is simple: if you put creative people in a hothouse setting, innovation will naturally emerge. PARC Artist-in-Residence Program (PAIR) brings artists who use new media to... mehr

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    "The idea behind Xerox's interdisciplinary Palo Alto Research Center (PARC) is simple: if you put creative people in a hothouse setting, innovation will naturally emerge. PARC Artist-in-Residence Program (PAIR) brings artists who use new media to PARC and pairs them with researchers who often use the same media, though in different contexts. This is radically different from most corporate support of the arts, where there is little intersection between the disciplines. The result is both interesting art and new scientific innovations. Art and Innovation explores the unique process that grew from this pairing of new media artists and scientists working at the frontier of developing technologies. In addition to discussing specific works created during several long-term residencies, the artists and researchers reveal the similarities and differences in their approaches and perspectives as they engage each other in a search for new methods for communication and creativity"--Provider website.

     
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    Quelle: Verbundkataloge
    Beteiligt: Harris, Craig (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585331766; 9780585331768; 9780262275002; 0262275007
    Schriftenreihe: Leonardo
    Schlagworte: Xerox Corporation ; Palo Alto Research Center; Technological innovations; Art and technology; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xiii, 293 pages, 6 pages of plates), illustrations (some color).