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  1. Before ever after
    the lost lectures of Walt Disneys animation studio
    Erschienen: 2015
    Verlag:  Disney Editions, Los Angeles

    "Before Ever After is a treasury of rare and unpublished lecture notes, photographs and drawings which reflect the culture of learning that Walt Disney curated to raise the level of his artists in preparation for their first feature: Snow White and... mehr

    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    266090 - B
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Before Ever After is a treasury of rare and unpublished lecture notes, photographs and drawings which reflect the culture of learning that Walt Disney curated to raise the level of his artists in preparation for their first feature: Snow White and the Seven Dwarfs. Walt hand-picked instructors from the renowned Chouinard Art Institute to hold classes on action and drawing. He screened films for study. He brought in talent from Architect Frank Lloyd Wright to choreographer George Balanchine to humorist Alexander Woollcott to teach and inspire his team. The result is a stunning collection of transcripts and history which not only lay the artistic foundation for the animated art form, but also give us an intimate look inside the walls of Walt Disney's studio during a seminal and profoundly creative moment in time."--provided from Amazon.com Introduction -- Once upon a time, there was Walt -- Chouinard -- Gangsters, models, and passion -- Teaching the unknown art -- The early masters -- The experts -- A trip to the Old World -- The parade of visitors -- Innovation -- Ever after

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Miller-Zarneke, Tracey; Disney, Walt
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781484710814
    Auflage/Ausgabe: First edition
    Schlagworte: Animated films; Animation (Cinematography)
    Umfang: 448 Seiten, Illustrationen, 29 cm
  2. Animation
    critical and primary sources
    Autor*in:
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, New York

    v. 1. Definition and form -- v. 2. Content -- v. 3. Context -- v. 4. Key individuals "Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical... mehr

    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    keine Fernleihe

     

    v. 1. Definition and form -- v. 2. Content -- v. 3. Context -- v. 4. Key individuals "Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on 'Authorship', 'Genre', 'Identity Politics', and 'Spectatorship', thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes"

     

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    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Pallant, Chris (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501305757; 9781628924602
    Schlagworte: Animated films; Animation (Cinematography); Animators