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  1. Scripting reading motions
    the codex and the computer as self-reflexive machines
    Erschienen: 2013
    Verlag:  The MIT Press, Cambridge, Mass. [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 938759
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Schloss Dagstuhl - Leibniz-Zentrum für Informatik, Bibliothek
    keine Fernleihe
    Herzog August Bibliothek Wolfenbüttel
    64.1820
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262019460
    Schlagworte: Reading, Psychology of; Books; Electronic publications; Hypertext literature; Literature and technology; Information visualization; Books and reading
    Umfang: ix, 410 pages, Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 379-400) and index

  2. Scripting reading motions
    the codex and the computer as self-reflexive machines
    Erschienen: [2013]; ©2013
    Verlag:  The MIT Press, Cambridge, Massachusetts

    An exploration of what experimental literature in both print and programmable media tells us about the act of reading.In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works... mehr

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    An exploration of what experimental literature in both print and programmable media tells us about the act of reading.In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works of both print and electronic literature and finds a self-conscious play with the dynamics of reading and writing. Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, Rui Torres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretive actions through which readers produce meaning when interacting with codes. Analyzing these works as embodiments and simulations of the motions of reading, Portela pays particular attention to the ways in which awareness of eye movements and haptic interactions in both print and electronic media feeds back onto the material and semantic layers of the works. These feedbacks, he argues, sustain self-reflexive loops that link the body of the reader to the embodied work. Readers' haptic actions and eye movements coinstantiate the object that they are reading.Portela discusses typographic and graphic marks as choreographic notations for reading movements; examines digital recreations of experimental print literary artifacts; considers reading motions in kinetic and generated texts; analyzes the relationship of bibliographic, linguistic, and narrative coding in Danielewski's novel-poem, Only Revolutions; and describes emergent meanings in interactive textual instruments. The expressive use of print and programmable media, Portela shows, offers a powerful model of the semiotic, interpretive, and affective operations embodied in reading processes.Important Notice: The digital edition of this book is missing some of the images found in the physical edition.

     

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