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Tragödie/Spiel: An Essay on Fontane's 'Glücksbegriff' in 'Irrungen Wirrungen'
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Double Exposures. Repetition and Realism in Meyer's Die Hochzeit des Mönchs
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The Technology of Development: Photography and Bildung in Thomas Mann's 'Der Zauberberg'
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Repetition and Realism: The 'Ligeia' impulse in Theodor Storm's Viola tricolor
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Lucretius at the camera
ancient atomism and early photographic theory in Walter Benjamin's "Berliner Chronik" -
The technology of development
photography and Bildung in Thomas Mann's 'Der Zauberberg' -
Photography and Bildung in "The Magic Mountain"
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No direction home: Wilhelm Raabe's "Das Odfeld" and the archaeology of identity
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After images
photography, archaeology, and psychoanalysis and the tradition of Bildung -
Double exposures
repetition and realism in nineteenth-century German fiction -
Repetition and realism
the "Ligeia" impulse in Theodor Storm's 'Viola tricolor' -
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
Double exposures
repetition and realism in Meyer's 'Die Hochzeit des Mönchs' -
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
Common ground
conditions of realism in Stifter's "Vorrede" -
Artificial I's
The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann -
Double exposures
repetition and realism in nineteenth century German fiction -
The chain of things
divinatory magic and the practice of reading in German literature and thought, 1850-1940 -
With Wandering Steps and Slow: Schwellenkunst in Adalbert Stifter’s Granit
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Literary studies and the pursuits of reading
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The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850–1940 -
Special issue: Walter Benjamin
critical constellations -
After images
photography, archaeology, and psychoanalysis and the tradition of Bildung -
Double exposures
repetition and realism in nineteenth century German fiction -
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann