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Sentimental confusion
art, nature, and aesthetic autonomy in Goethe's "Der Triumph der Empfindsamkeit" -
Quixotism and the aesthetic constitution of the individual in Wieland's 'Don Sylvio von Rosalva'
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The parody of sentimentality in eighteenth century German literature
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"Keine Ader griechisch Blut im Leibe"
Goethe versus Wieland on antiquity in 1773 -
Lichtenberg [Rezension]
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Christoph Martin Wieland [Rezension]
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Redekop, Benjamin W.: Enlightenment and community [Rezension]
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Characters of environments, people, and nations in C.C.L. Hirschfeld's 'Theorie der Gartenkunst' (1779-85)
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"Es ist ja kein Geschriebnes"
the parody of Lavater's physiognomics in Musäus's 'Physiognomische Reisen' -
Wezel, Johann Carl: Pädagogische Schriften [Rezension]
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Kurth-Voigt, Lieselotte, Continued existence, reincarnation, and the power of sympathy in classical Weimar [Rezension]
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Sentimental confusion
art, nature, and aesthetic autonomy in Goethe's "Der Triumph der Empfindsamkeit" -
[Rezension von: Kurth-Voigt, Lieselotte E., Continued existence, reincarnation, and the power of sympathy in classical Weimar]
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Quixotism and the aesthetic constitution of the individual in Wieland's "Don Sylvio von Rosalva"
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Characters of environments, people, and nations in C. C. L. Hirschfeld's "Theorie der Gartenkunst" (1779/85)
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German Quixotism, or sentimental reading: Musäus's Richardson Satires
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"Keine Ader griechisch Blut im Leibe": Goethe versus Wieland on Antiquity in 1773
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Sentimental confusion: art, nature, and aesthetic autonomy in Goethe's "Der Triumph der Empfindsamkeit"
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Exploring the Italian journals of Erdmannsdorff and Berenhorst
cultural attitudes and Wörlitz Neoclassicism -
[Rezension von: Redekop, Benjamin Wall, Enlightenment and community, Lessing, Abbt, Herder, and the quest for a German public]
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The parody of sentimentality in eighteenth century German literature