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"The Rovers; Or, The Double Arrangement"
the "Anti-Jacobins and German drama -
The French Revolution and the German classical period
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The effect of the French Revolution in Germany
Christoph Martin Wieland and Georg Forster -
Revolution as revue
Peter Weiss's and Tankred Dorst's German "revolution-plays" -
Maternal loyality in the 'Nibelungenlied' and 'Kudrun'
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The 'Nibelungenlied' between epic and romance
the genre aspect in the process of reception -
The social function of teaching German literature in Korea
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Brecht, the "fable", and the teaching of directing
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Brechtian theater in the Soviet Union
attempt at an overview -
"... this would be his show"
Brecht in Latvia between "Perestroika" and independence; an interview with Mara Kimele and Viktors Hausmanis -
Dead end(ing)s in Keller
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The Taganka Theater and the Brechtian tradition
Iurii Liubimov in dialogue, 1 may 1990 -
The role of women in the Stricker's courtly romance 'Daniel von dem blühenden Tal'
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Mechthild von Magdeburg and the category of "Frauenmystik"
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The Faust theme in Christa Wolf's work
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Moses Mendelssohn and the right of toleration
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The secular foe and the 'Nibelungenlied'
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"Schame" in the works of Hartmann von Aue
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Heinrich von Morungen and the fairy-mistress theme
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Magister Conradus Presbiter
Pfaffe Konrad at the court of Henry the Lion -
The 'Nibelungenlied' and the Third Reich
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The Roman Church and the Jews
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The Papal Bull "Sicut Judeis"
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The crusading movement in its bearing on the Christian attitude towards Jewry
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The Jews in Christian Europe