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Stifter and the postmodern sublime
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Adalbert Stifter's money thing
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"... Die schönste Menschengestalt"
the nature, culture and ethnography of Stifter's gypsies -
Latent antinomies
Stifter's treatment of the extraordinary -
A national repertoire
Schiller and the theatre of his day -
Lenz and Schiller
all's well that ends well -
Schiller's "Egmont" and the beginning of Weimar Classicism
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Poetry's ethics?
Theodor W. Adorno and Robert Duncan on aesthetic illusion and sociopolitical delusion -
Sharp tongues and sharper swords
violence towards women in the "Ritter vom Turn" -
Changing notions of identity
the German soldier of the Second World War -
Terror on the stage
the German "Red Army Faction" (RAF) as political performance -
"Sticks and stones may break my bones ..."
the aesthetic enactment of violence in the work of Elfriede Jelinek -
"Bestialisch dahingeschlachtet"
extreme violence in German crime fiction -
Goethe and Von Archenholz in Naples in 1787
views of the city between myth and reality -
Silencing the voice in narratology?
A synopsis -
Crisis and triumph in the world of medieval knighthood and chivalry
Gawan in Wolfram von Eschenbach's "Parzival" -
From "Romantick" to "Romantic"
the genesis of German Romanticism in late eighteenth-century Europe -
Goethe and the Romantics
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Early Romanticism
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From Goethe's "Wilhelm Meister" to anti-"Meister" novels
the romantic novel between Tieck's "William Lovell" and Hoffmann's "Kater Murr" -
Tales of wonder and terror
short prose of the German Romantics -
The romantic drama
Tieck, Brentano, Arnim, Fouqué, and Eichendorff -
German romantic poetry in theory and practice
the Schlegel brothers, Schelling, Tieck, Novalis, Eichendorff, Brentano, and Heine -
The turn to history and the "Volk"
Brentano, Arnim, and the Grimm brothers -
History and moral imperatives
the contradictions of political romanticism