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Melancholy in Schiller's dramas
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Aesthetic humanism and its foes
the perspective from Halle -
Energy and Schiller's aesthetics from the "Philosophical" to the "Aesthetic letters"
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"Making other people's feelings our own"
from the aesthetic to the political in Schiller's "Aesthetic letters" -
God's warrior's, mercenaries, or freedom fighters?
politics, warfare, and religion in Schiller's "Geschichte des Dreyßigjährigen Kriegs" -
Who is this black knight?
Schiller's "Maid of Orleans" and (mythological) history -
Religion and violence in Schiller's late tragedies
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So who was naive?
Schiller as enlightenment historian and his successors -
Schiller and the gothic
reception and reality /Jennifer Driscoll Colosimo -
Schiller's plays on the british stage, 1797-1825
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From martyr to vampire
the figure of Mary Stuart in drama from Vondel to Swinburne -
A chapter of Schiller in America
the First World War and volume 3 of Kuno Francke's edition of "The german classics" -
The reluctant recruit?
Schiller in the trenches, 1914-1918 -
"Maria Stuart" adaptions in the twentieth and twenty-first centuries
from "classical" parodies to contemporary politics -
Whose Schiller is this?
"Das Fremde und das Eigene" in US "Auslandsgermanistik" -
Schiller's political ideas
who cares? -
Where is this Schiller now?
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From cyber-punk to enlightenment
Neal Stephenson's "The Baroque cycle" -
Some gardening at the beach
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Scottish historians and modern revolutions
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Oedipus' Enigma
Heidegger on Schiller, Arendt on Kant -
Otho Vaenius
commonplaces into emblems -
Gender, conviviality, and publication history in Georg Philipp Harsdörffer's "Stamm- und Stechbüchlein" (1654)
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A publisher seeking a change in religious practices
the case of Lucas Jennis -
Concepts vs. ideas vs. problems
historiographical strategies in writing history of philosophy