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The tribunal off-camera: : the trial against the Ceauşescu’s
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‘Lightning no longer flashes‘ : Kafka’s chinese voice and the thunder of the great war
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Viëtor, Karl
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Why the present perfect differs cross-linguistically : some new insights
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"Concealed writing" (Verdeckte Schreibweise) in the "Third Reich" : forms and problems of reception
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Ivory Painting in the Norman Kingdom of Sicily
An Introduction -
How and for Whom They Made the Boxes
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Hidden Aesthetics and the Art of Deception
The Object, the Beholder, and the Artisan -
Incrusted with Ivory
Observations on a Casket in the Victoria and Albert Museum -
The St Petroc Casket, a Certain Mutilated Man, and the Trade in Ivories
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Translation in Ivory
Interactions Across Cultures and Media in the Mediterranean during the Twelfth and Thirteenth Centuries -
Hunting with Cheetahs on Painted Siculo-Arabic Ivories
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The Painted Ivory Box Made for the Fatimid Caliph al-Muʿizz
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Siculo-Arabic Ivories
Christian Motifs in Muslim Painting -
Ceiling and Casket at the Cappella Palatina and Christian Arab Art between Sicily and Egypt in the Twelfth and Thirteenth Centuries
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Pattern and Ornament in Siculo-Arabic Ivory Painting
The Track Leads to the Norman Principality of Antioch -
A Mixed Company of Syrians, Saracens and Greeks
Artistic Interaction in Middle Eastern Christian Art in the Middle Ages -
A Ghaznavid Narrative Relief and the Problem of Pre-Mongol Persian Book Painting
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Puns and Puzzles
the Interplay of the Visual and the Verbal in Thirteenth-Century Mesopotamian Metalwork, Book Painting, and Astrolabes -
The Marble Casket in the Museum of Islamic Art in Berlin
Sources, Function, and Iconology -
Descriptive Catalogue of Siculo-Arabic Ivories Exhibited in Berlin, Museum für Islamische Kunst, July - August 2007
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Religious confession and philosophy as taught at Central European academic institutions during the late 16th and the early 17th centuries
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Legal authenticity, cultural insulation and undemocratic rule
ʿAbd-al-Razzāq Aḥmad al-Sanhūrī's (1895-1971) Sharia project and its misrepresentation in Egypt -
Hölderlin, Kleist, Büchner
arbitrary formations in the literary discourse around 1900 -
The ideal and the real
Philipp Otto Runge's significance for 20th century art