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Desire and decorum
Goethe's "Der neue Pausias und sein Blumenmädchen" -
"Another piece of the past"
"Stories" of a new German identity -
The Cambridge companion to Adorno
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Sound matters
essays on the acoustics of German culture -
Nietzsche's new Darwinism
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"Ach Pioneer"
Sidonie Grünwald-Zerkowitz's "Die Lieder der Mormonin" and the erotic exploration of America -
Goethe's Faust as failed shaman
the non-European roots of the Faust drama -
Possibilities of the heroic in Alfred Andersch's "Sansibar"
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The end of a taboo?
Günter Grass's "Im Krebsgang" ("Crabwalk") and the Berlin Republic -
Forum phoneticum
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Arts of ambivalence
"Der Tod in Venedig" and "Die Leiden des jungen Werthers" -
"Näher haben wir das!"
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"Siben sterne si dô nante heidensch"
language as a marker of difference in Wolfram's "Parzival" and Adolf Muschg's "Der rote Ritter" -
Written on the scroll
Diderot, Goethe and Blixen -
Goethe and Hoffmann on "Manier"
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Reflections
Goethe's "Auf dem See" und Hölderlin's "Hälfte des Lebens" -
The state of the art
Heine's "Atta Troll. Ein Sommernachtstraum" and "Jehuda ben Halevy" -
The art of apology
Goethe's elegy "Hermann und Dorothea" -
"Mann und Weib, and Baby makes two"
gender and familiy in Johann Wolfgang von Goethe's Magic Flute sequel -
Critical keywords in literary and cultural theory
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Sonnets to Orpheus
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Frets about plagiary
changing attitudes to plagiarism in late eighteenth- and early nineteenth-century German literature -
Sympathy and spectacle
lebende Bilder, Attitüden, and visual representation in Johanna Schopenhauer's travel writing -
Goethe's "Die natürliche Tochter"
the use and abuse of power -
Vox et negativo
Hildegard of Bingen, Rupert of Deutz and authorial identity in the twelfth century